In the preface to The Revolt of Islam Shelley writes that he “sought to enlist the harmony of metrical language ... and the rapid and subtle transitions of human passion in the cause of a liberal and comprehensive morality.” For this purpose he chose “a story of human passion in its most universal character, diversified with moving and romantic adventures and appeal, in contempt of all artificial opinions or institutions to the common sympathies of every human breast. What is the Missionary but “a story of human passion appealing in contempt of all artificial opinions or institutions to the common sympathies of every human heart?” When The Revolt of Islam first appeared, Laon and Cythna were brother and sister. Their love like that of the missionary and priestess is considered illicit. Not only are the motifs of both very similar, but many of the incidents are identical. The influence of the Missionary on the Revolt will perhaps appear more clearly if we put these incidents in parallel columns. In the second canto—
The missionary and Luxima reach a cavern which bears a slight resemblance to the caverns of The Revolt. He discovers that the priestess is dying from a wound received during the melée at Lahore. “Answering the eloquence of her languid and tender looks, he exclaims, ‘Yes, dearest, and most unfortunate, our destinies are now inseparably united! Together we have loved, together we have resisted, together we have erred, and together we have suffered; lost alike to the glory and the fame which our virtues and the conquest of our passions obtained for us; alike condemned by our religions and our countries, there now remains nothing on earth for us but each other.’” This recalls to mind the dedication of The Revolt of Islam—
There is no danger to a man that knows
What life and death is; there’s not any law
Exceeds his knowledge: neither is it lawful
That he should stoop to any other law.
As the end of Luxima approaches she bids her beloved live and preach peace and mercy, and love to Brahmin and Christian. “But should thy eloquence and thy example fail, tell them my story! tell them how I have suffered, and how even thou has failed—thou, for whom I forfeited my caste, my country and my life; for ’tis too true, that still more loving than enlightened, my ancient habits of belief clung to my mind, thou to my heart; still I lived thy seeming proselyte, that I might still live thine; and now I die as Brahmin women die; a Hindoo in my feelings and my faith—dying for him I loved and believing as my fathers believed.”[59]
This bears some resemblance to that part of Cythna’s speech in the cavern, Canto IX, where she glories in the triumph of their love over the opposition of the world.
I fear nor prize
Aught that can now betide unshared by thee.
Cythna thinks that she will soon die and believes like Luxima that the story of their love will be a source of inspiration to mankind
Our many thoughts and deeds, our life and love,
Our happiness, and all that we have been
Immortally must live and burn and move
When we shall be no more.
There are, of course, some differences between the two stories, especially in the conclusions (Cythna and Laon are burned, while Luxima alone dies and the Missionary is never heard of again); but many of the incidents of both are so alike as to justify us in believing that those in The Revolt were derived from The Missionary. This is confirmed by the fact that Shelley makes more attacks in this poem on priests and the celibacy of the clergy than in any other. In the preface to the poem, Shelley says that “although the mere composition occupied no more than six months, the thoughts thus arranged were slowly gathered in as many years.” It is suggestive that the idea of composing the poem came to him in 1811, the year in which he first read the Missionary. In this same year he wrote a little poem entitled an Essay on Love, no copy of which is now extant.[60] Should one ever come to light, it may show remarkable similarity to the love poem The Revolt of Islam, where “love is celebrated everywhere as the sole law which should govern the moral world.”[61]