FROM NEWGATE TO TYBURN.
ET us look at Newgate. This stern old pile of stones heaped upon stones, grey and grim, the burden of whose sighs afflict the weary skies above.
The strangest kind of a fascination hung over me as I looked at its Gate, cut in the deep wall like the entrance to a rocky cave. The spiked sill spoke of gibbets, the bars and locks and bolts of a felon gang, who dragged their blind life away, day following day, for them without hope, the outside world vacant, dumb and blank as the Ages, to their crime begotten souls, whose only music was the clank of fetters and the hoarse grating of iron hinges.
The building itself, covering half an acre, seemed sealed like a sepulchre. There was nothing to be gotten out of it, one way or the other. No one can have even looked at this terrible prison of Newgate without a shudder of despair for his kind.
Only on certain recurring Black Mondays did it yawn like a grave in the face of a great swearing mob, to put forth something into the open in the shadow of St. Sepulchre's, that was half dead; to take it back after an hour quite dead; and then it relapsed into its old, inscrutable dumbness.
Now Gate of Ivory, now Gate of Horn—now a porch above which might be inscribed the despairing legend of the Inferno, now a wicket at which the charitable might tap gently, fraught with messages of mercy to the fallen creatures within—the portal of Newgate could assume chameleon hues, not always hopeless.
Next to the spikes of Newgate, the visitor must always mark for lasting remembrance, the stones of Newgate doorsteps. They are not perhaps more than eighty years old, but they look more worn than the jambs of Temple bar—more decayed than the wheel windows of the Cloisters of Westminster Abbey. They are ancient through use, and not through time.