The Banquet (Il Convito)

by Dante Alighieri

Not only this Soul, naturally good in Adolescence, is obedient, but also gentle; which is the other thing necessary in this age to make a good entrance through the portal of Youth.

It is necessary, since we cannot have a perfect life without friends, as Aristotle expresses it in the eighth book of Ethics; and the seed of the greater number of friendships seems to be sown in the first age of life, because in it a man begins to be gracious or the contrary. Such graciousness is acquired by gentle rules of conduct, as are sweet and courteous speech, gentle service courteously rendered, and actions kindly done or performed. And therefore Solomon says to the adolescent son: "Surely God scorneth the scorners; but He giveth grace unto the lowly." And elsewhere he says: "Put away from thee a forward mouth, and perverse lips put far from thee." Wherefore it appears that, as has been said, this suavity or affability is necessary.

Likewise to this age the passion of modesty is necessary; and therefore the nature which is good and noble shows it in this age, even as the Song says. And since modesty is the clearest sign, in Adolescence, of Nobility, because there it is especially necessary to the good foundation of our life, at which the noble nature aims, it is right to speak of it somewhat. By modesty I mean three passions or strong feelings necessary to the foundation of our good life: the one is wonder, the next is modesty, the third is shame, although the common people do not discern this distinction. And all three of these are necessary to this life, for this reason: at this age it is requisite to be reverent and desirous for knowledge; at this age it is necessary or requisite to be self-controlled, so as not to transgress or pass beyond due bounds; at this age it is necessary to be penitent for a fault, so as not to grow accustomed to doing wrong. And all these things the aforesaid passions or strong feelings do, which vulgarly are called shame; for wonder is an amazement of the mind at beholding great and wonderful things, at hearing them, or feeling them in some way or other; for, inasmuch as they appear great, they excite reverence in him who sees them; inasmuch as they appear wonderful, they make him who perceives them desirous of knowledge concerning them. And therefore the ancient Kings in their palaces or habitations set up magnificent works in gold and in marble and works of art, in order that those who should see them should become astonished, and therefore reverent inquirers into the honourable conditions of the King. Therefore Statius, the sweet Poet, in the first part of the Theban History, says that, when Adrastus, King of the Argives, saw Polynices covered with the skin of a lion, and saw Tydeus covered with the hide of a wild boar, and recalled to mind the reply that Apollo had given concerning his daughters, he became amazed, and therefore more reverent and more desirous for knowledge. Modesty is a shrinking, a drawing-back of the mind from unseemly things, with the fear of falling into them; even as we see in virgins and in good women, and in adolescent or young men, who are so modest that not only when they are tempted to do wrong, and urged to do so, but even when some fancied joy flashes across the mind, the feeling is depicted in the face, which either grows pale with fear, or flushes rosy-red. Wherefore the before-mentioned poet, in the first book of the Thebaid already quoted, says that when Acesta the nurse of Argia and Deiphile, the daughters of King Adrastus, led them before the eyes of their holy father into the presence of the two pilgrims, that is to say, Polynices and Tydeus, the virgins grew pale and blushed rosy-red, and their eyes shunned the glance of any other person, and they kept them fixed on the paternal face alone, as if there were safety. This modesty—how many errors does it bridle in, or repress? On how many immodest questions and impure things does it impose silence! How much dishonest greed does it repress! In the chaste woman, against how many evil temptations does it rouse mistrust, not only in her, but also in him who watches over her! How many unseemly words does it restrain! for, as Tullius says in the first chapter of the Offices: "No action is unseemly which is not unseemly in the naming." And furthermore, the Modest and Noble Man never could speak in such a manner that to a woman his words would not be decent and such as she could hear. Alas, how great is the evil in every man who seeks for honour, to mention things which would be deemed evil in the mouth of any woman!

Shame is a fear of dishonour through fault committed, and from this fear there springs up a penitence for the fault, which has in itself a bitter sorrow or grief, which is a chastisement and preservative against future wrong-doing. Wherefore this same poet says, in that same part, that when Polynices was questioned by King Adrastus concerning his life, he hesitated at first through shame to speak of the crime which he had committed against his father, and also for the sins of Oedipus, his father, which appeared to remain in the shame of the son; therefore he named not his father, but his ancestors, and his country, and his mother; and therefore it does indeed appear that shame is necessary to that age. And the noble nature reveals in this age, not only obedience, gentleness, affability, and modesty, but it shows beauty and agility of body, even as the Song expresses: "To furnish Virtue's person with The graces it may need." Here it is to be known that this work of beneficent Nature is also necessary to our good life, for our Soul must work in the greater part of all its operations with a bodily organ; and then it works well when the body through all its parts is well proportioned and appointed. And when it is well proportioned and appointed, then it is beautiful throughout and in all its parts; for the due ordering or proportion of our limbs produces a pleasing impression of I know not what of wonderful harmony; and the good disposition, that is to say, the health of mind and body, throws over all a colouring sweet to behold. And thus to say that the noble nature takes heed for the graces of the body, and makes it fair and harmonious, is tantamount to saying that it prepares it and renders it fit to attain the perfection ordained for it: and those other things which have been discussed seem to be requisite to Adolescence, which the noble Mind, that is to say, the noble Nature, furnishes forth to it in the first years of life, as growth of the seed sown therein by the Divine Providence.

CHAPTER XXVI.

Since the first section of this part, which shows how we can recognize the Noble Man by apparent signs, is reasoned out, it is right to proceed to the second section, which begins: "Are temperate in Youth, And resolutely strong."

It says, then, that as the noble Nature in Adolescence or the Spring-time of Youth appears obedient, gentle, and modest, the beautifier of its person, so in Youth it is temperate, strong, and loving, courteous and loyal; which five things appear to be, and are, necessary to our perfection, inasmuch as we have respect unto ourselves. And with regard to this it is desirable to know that just as the noble Nature prepares in the first age, it is prepared and ordained by the care or foresight of Universal Nature, which ordains and appoints the particular Nature where-ever existing, to attain its perfection.

This perfection of ours may be considered in a double sense. It is possible to consider it as it has respect to ourselves, and we ought to possess this in our Youth, which is the culminating point of our life. It is possible to consider it as it has respect to others, and since in the first place it is necessary to be perfect, and then to communicate the perfection to others, it is requisite to possess this secondary perfection after this age, that is to say, in Old Age, as will be said subsequently. Here, then, it is needful to recall to mind that which was argued in the twenty-second chapter of this treatise concerning the appetite or impulse which is born in us. This appetite or impulse never does aught else but to pursue and to flee, and whenever it pursues that which is to be pursued, and as far as is right, and flies from that which is to be fled from, and as much as is right, then is the man within the limits of his perfection. Truly, this appetite or natural impulse must have Reason for its rider; for as a horse at liberty, however noble it may be by nature, by itself without the good rider does not conduct itself well, even thus this appetite, however noble it may be, must obey Reason, which guides it with the bridle and spur, as the good knight uses the bridle when he hunts. And that bridle is termed Temperance, which marks the limit up to which it is lawful to pursue; he uses the spur in flight to turn the horse away from the place from which he would flee away; and this spur is called Courage, or rather Magnanimity, a Virtue that points out the place at which it is right to stop, and to resist evil even to mortal combat. And thus Virgil, our greatest Poet, represents Æneas as under the influence of powerful self control in that part of the Æneid wherein this age is typified, which part comprehends the fourth and the fifth and the sixth books of the Æneid. And what self-restraint was that when, having received from Dido so much pleasure, as will be spoken of in the seventh treatise, and enjoying so much delectation with her, he departed, in order to follow the upright and praiseworthy path fruitful of good works, even as it is written in the fourth book of the Æneid! What impetus was that when Æneas had the fortitude alone with Sybilla to enter into Hades, to search for the Soul of his father Anchises, in the face of so many dangers, as it is shown in the sixth book of the Æneid. Wherefore it appears that in our Youth, in order to be in our perfection, we must be Temperate and Brave. The good disposition secures this for us, even as the Song expressly states.

Again, at this age it is necessary to its perfection to be Loving; because at this age it is requisite to look behind and before, as being midway over the arch. The youth ought to love his elders, from whom he has received his being, and his nutriment, and his instruction, so that he may not appear ungrateful. He ought to love his juniors, since, in loving them, he gives them of his good gifts, for which in after-years, when the younger friends are prospering, he may be supported and honoured by them. And the poet named above, in the fifth book before-mentioned, makes it evident that Æneas possessed this loving disposition, when he left the aged Trojans in Sicily, recommended to Acestes, and set them free from the fatigues of the voyage; and when he instructed, in the same place, Ascanius his son, with the other young men, in jousting or in feats of arms; wherefore it appears that to this age Love is necessary, even as the Song says.

Again, to this age Courtesy is necessary, for, although to every age it is right or beautiful to be possessed of courteous manners, to this age it is especially necessary, because, on the contrary, Old Age, with its gravity and its severity, cannot possess courtesy, if it has been wanting in this youthful period of life; and with Extreme Old Age it is the same in a greater degree. And that most noble poet, in the sixth book before-mentioned, proves that Æneas possessed this courtesy, when he says that Æneas, then King, in order to pay honour to the dead body of Misenus, who had been the trumpeter of Hector, and afterwards accompanied Æneas, made himself ready and took the axe to assist in cutting the logs for the fire which must burn the dead body, as was their custom. Wherefore this courtesy does indeed appear to be necessary to Youth; and therefore the noble Soul reveals it in that age, as has been said.