[425] Of what thou thinkest, etc.: Virgil never asks a question for his own satisfaction. He knows who the spirits are, what brought them there, and which of them will speak honestly out on the promise of having his fame refreshed in the world. It should be noted how, by a hint, he has made Peter aware of who he is (line 48); a delicate attention yielded to no other shade in the Inferno, except Ulysses (Inf. xxvi. 79), and, perhaps, Brunetto Latini (Inf. xv. 99).
[426] In them shall ne’er be clad: Boccaccio is here at great pains to save Dante from a charge of contradicting the tenet of the resurrection of the flesh.
[427] Naked: These are the prodigals; their nakedness representing the state to which in life they had reduced themselves.
[428] Lano: Who made one of a club of prodigals in Siena (Inf. xxix. 130) and soon ran through his fortune. Joining in a Florentine expedition in 1288 against Arezzo, he refused to escape from a defeat encountered by his side at Pieve del Toppo, preferring, as was supposed, to end his life at once rather than drag it out in poverty.
[429] James of St. Andrews: Jacopo da Sant’ Andrea, a Paduan who inherited enormous wealth which did not last him for long. He literally threw money away, and would burn a house for the sake of the blaze. His death has been placed in 1239.
[430] My city, etc.: According to tradition the original patron of Florence was Mars. In Dante’s time an ancient statue, supposed to be of that god, stood upon the Old Bridge of Florence. It is referred to in Parad. xvi. 47 and 145. Benvenuto says that he had heard from Boccaccio, who had frequently heard it from old people, that the statue was regarded with great awe. If a boy flung stones or mud at it, the bystanders would say of him that he would make a bad end. It was lost in the great flood of 1333. Here the Florentine shade represents Mars as troubling Florence with wars in revenge for being cast off as a patron.
[431] Attila: A confusion with Totila. Attila was never so far south as Tuscany. Neither is there reason to believe that when Totila took the city he destroyed it. But the legend was that it was rebuilt in the time of Charles the Great.
[432] My own house, etc.: It is not settled who this was who hanged himself from the beams of his own roof. One of the Agli, say some; others, one of the Mozzi. Boccaccio and Peter Dante remark that suicide by hanging was common in Florence. But Dante’s text seems pretty often to have suggested the invention of details in support or illustration of it.