Now the moment for which not a few of that good-humoured and musically-inclined company were waiting arrived. Clear above the babel of voices sounded a chord, and the poor old concertina player began singing in a voice that was as wheezy as his instrument:
“Camp town ladies sing this song
Dooda! Dooda!
Camp town race track five miles long
Dooda! Dooda! Day!”
Throughout the solo nothing more nerve-racking or explosive than an occasional hilarious whoop punctuated the melody. For once, at any rate, it seemed likely to go the distance; but no sooner did the chorus, which had been taken up, to a man, by the motley crowd and was rip-roaring along at a great rate, reach the second line than there sounded the reports of a fusillade of gun-shots from the direction of the street. The effect was magical: every voice trailed off into uncertainty and then ceased.
Instantly the atmosphere became charged with tension; a hush fell upon the room, the joyous light of battle in every eye, if nothing else, attesting the approach of the foe; while all present, after listening contemptuously to a series of wild and unearthly yells which announced an immediate arrival, sprang to their feet and concentrated their glances on the entrance of the saloon through which there presently burst a party of lively boys from The Ridge.
A psychological moment followed, during which the occupants of The Polka Saloon glared fiercely at the newcomers, who, needless to say, returned their hostile stares. The chances of war, judging from past performances, far outnumbered those of peace. But as often happens in affairs of this kind when neither side is unprepared, the desire for gun-play gave way to mirthless laughter, and, presently, the hilarious crowd from the rival camp, turning abruptly on their heels, betook themselves en masse into the dance-hall.
For the briefest of periods, there was a look of keen disappointment on the faces of the Cloudy Mountain boys as they gazed upon the receding figures of their sworn enemies; but almost in as little time as it takes to tell it there was a tumultuous lining up at the bar, the flat surface of which soon resounded with the heavy blows dealt it by the fists of the men desirous of accentuating the rhythm when roaring out:
“Gwine to run all night,
Gwine to run all day,
Bet my money on a bob-tail nag,
Somebody bet on the bay!”
Among those standing at the bar, and looking out of bleared eyes at a flashy lithograph tacked upon the wall which pictured a Spanish woman in short skirts and advertised “Espaniola Cigaroos,” were two miners: one with curly hair and a pink-and-white complexion; the other, tall, loose-limbed and good-natured looking. They were known respectively as Handsome Charlie and Happy Halliday, and had been arguing in a maudlin fashion over the relative merits of Spanish and American beauties. The moment the song was concluded they banged their glasses significantly on the bar; but since it was an unbroken rule of the house that at the close of the musician’s performance he should be rewarded by a drink, which was always passed up to him, they needs must wait. The little barkeeper paid no attention to their demands until he had satisfied the thirst of the old concertina player who, presently, could be seen drawing aside the bear-pelt curtain and passing through the small, square opening of the partition which separated the Polka Saloon from its dance-hall.
“Not goin’, old Dooda Day, are you?” The question, almost a bellow, which, needless to say, was unanswered, came from Sonora Slim who, with his great pal Trinidad Joe, was playing faro at a table on one side of the room. Apparently, both were losing steadily to the dealer whose chair, placed up against the pine-boarded wall, was slightly raised above the floor. This last individual was as fat and unctuous looking as his confederate, the Lookout, was thin and sneaky; moreover, he bore the sobriquet of The Sidney Duck and, obviously, was from Australia.
“Say, what did the last eight do?” Sonora now asked, turning to the case-keeper.