The concave mirror is the staple instrument of the magician’s cabinet, and must always perform a principal part in all optical combinations. In order to be quite perfect, every concave mirror should have its surface elliptical, so that if any object is placed in one focus of the ellipse, an inverted image of it will be formed in the other focus. This image, to a spectator rightly placed, appears suspended in the air, so that if the mirror and the object are hid from his view, the effect must appear to him almost supernatural.
The method of exhibiting the effect of concave mirrors most advantageously is shown in Fig. 4, where CD is the partition of a room having in it a square opening EF, the centre of which is about five feet above the floor. This opening might be surrounded with a picture-frame, and a painting which exactly filled it might be so connected with a pulley that it could be either slipped aside, or raised so as to leave the frame empty. A large concave mirror MN is then placed in another apartment, so that when any object is placed at A, a distinct image of it may be formed in the centre of the opening EF. Let us suppose this object to be a plaster cast of any object made as white as possible, and placed in an inverted position at A. A strong light should then be thrown upon it by a powerful lamp, the rays of which are prevented from reaching the opening EF. When this is done, a spectator placed at O will see an erect image of the statue at B, the centre of the opening, standing in the air, and differing from the real statue only in being a little larger, while the apparition will be wholly invisible to other spectators placed at a little distance on each side of him.
Fig. 4.
If the opening EF is filled with smoke, rising either from a chafing-dish, in which incense is burnt, or made to issue in clouds from some opening below, the image will appear in the middle of the smoke depicted upon it as upon a ground, and capable of being seen by those spectators who could not see the image of the air. The rays of light, in place of proceeding without obstruction to an eye at O, are reflected as it were from those minute particles of which the smoke is composed, in the same manner as a beam of light is rendered more visible by passing through an apartment filled with dust or smoke.
It has long been a favourite experiment to place at A a white and strongly illuminated human skull, and to exhibit an image of it amid the smoke of a chafing-dish at B; but a more terrific effect would be produced if a small skeleton suspended by invisible wires were placed as an object at A. Its image suspended in the air at B, or painted upon smoke, could not fail to astonish the spectator.
The difficulty of placing a living person in an inverted position, as an object at A, has no doubt prevented the optical conjuror from availing himself of so admirable a resource; but this difficulty may be removed by employing a second concave mirror. The second mirror may be so placed as to reflect towards MN the rays proceeding from an erect living object, and to form an inverted image of this object at A. An erect image of this inverted image will then be formed at B, either suspended in the air, or depicted upon a wreath of smoke. This aërial image will exhibit the precise form and colours and movements of the living object, and it will maintain its character as an apparition if any attempt is made by the spectator to grasp its unsubstantial fabric.
A deception of an alarming kind, called the Mysterious dagger, has been long a favourite exhibition. If a person with a drawn and highly polished dagger, illuminated by a strong light, stands a little farther from a concave mirror than its principal focus, he will perceive in the air between himself and the mirror an inverted and diminished image of his own person, with the dagger similarly brandished. If he aims the dagger at the centre of the mirrors concavity, the two daggers will meet point to point, and, by pushing it still farther from him towards the mirror, the imaginary dagger will strike at his heart. In this case it is necessary that the direction of the real dagger coincides with a diameter of the sphere of which the mirror is a part; but if its direction is on one side of that diameter, the direction of the imaginary dagger will be as far on the other side of the diameter, and the latter will aim a blow at any person who is placed in the proper position for receiving it. If the person who bears the real dagger is therefore placed behind a screen, or otherwise concealed from the view of the spectator, who is made to approach to the place of the image, the thrust of the polished steel at his breast will not fail to produce a powerful impression. The effect of this experiment would no doubt be increased by covering with black cloth the person who holds the dagger, so that the image of his hand only should be seen, as the inverted picture of him would take away from the reality of the appearance. By using two mirrors, indeed, this defect might be remedied, and the spectator would witness an exact image of the assassin aiming the dagger at his life.
The common way of making this experiment is to place a basket of fruit above the dagger, so that a distinct aërial image of the fruit is formed in the focus of the mirror. The spectator, having been desired to take some fruit from the basket, approaches for that purpose, while a person properly concealed withdraws the real basket of fruit with one hand, and with the other advances the dagger, the image of which being no longer covered by the fruit, strikes at the body of the astonished spectator.
The powers of the concave mirror have been likewise displayed in exhibiting the apparition of an absent or deceased friend. For this purpose, a strongly illuminated bust or picture of the person is placed before the concave mirror, and a distinct image of the picture will be seen either in the air or among smoke, in the manner already described. If the background of the picture is temporarily covered with lamp-black, so that there is no light about the picture but what falls upon the figure, the effect will be more complete.