An exhibition of the very same kind has been brought forward in our own day, under the name of the Invisible Girl; and as the mechanism employed was extremely ingenious, and is well fitted to convey an idea of this class of deceptions, we shall give a detailed description of it.
Fig. 37.
The machinery, as constructed by M. Charles, is shown in fig. 37 in perspective, and a plan of it in Fig. 38. The four upright posts A, A, A, A, are united at top by a cross rail B, B, and by two similar rails at bottom. Four bent wires a, a, a, a, proceeded from the top of these posts, and terminated at c. A hollow copper ball M, about a foot in diameter, was suspended from these wires by four slender ribands b, b, b, b, and into the copper ball were fixed the extremities of four trumpets T, T, T, T, with their mouths outwards.
Fig. 38.
The apparatus now described was all that was visible to the spectator; and though fixed in one spot, yet it had the appearance of a piece of separate machinery, which might have occupied any other part of the room. When one of the spectators was requested by the exhibitor to propose some question, he did it by speaking into one of the trumpets at T. An appropriate answer was then returned from all the trumpets, and the sound issued with sufficient intensity to be heard by an ear applied to any of them, and yet it was so weak that it appeared to come from a person of very diminutive size. Hence the sound was supposed to come from an invisible girl, though the real speaker was a full-grown woman. The invisible lady conversed in different languages, sang beautifully, and made the most lively and appropriate remarks on the persons in the room.
This exhibition was obviously far more wonderful than the speaking heads which we have described, as the latter invariably communicated with a wall, or with a pedestal through which pipes could be carried into the next apartment. But the ball M and its trumpets communicated with nothing through which sound could be conveyed. The spectator satisfied himself by examination that the ribands b, b, were real ribands, which concealed nothing, and which could convey no sound; and as he never conceived that the ordinary piece of frame-work AB could be of any other use than its apparent one of supporting the sphere M, and defending it from the spectators, he was left in utter amazement respecting the origin of the sound, and his surprise was increased by the difference between the sounds which were uttered and those of ordinary speech.
Though the spectators were thus deceived by their own reasoning, yet the process of deception was a very simple one. In two of the horizontal railings A, A, Fig. 38, opposite the trumpet mouths T, there was an aperture communicating with a pipe or tube which went to the vertical post B, and descending it, as shown at TAA, Fig. 39, went beneath the floor f f, in the direction p p, and entered the apartment N, where the invisible lady sat. On the side of the partition about h, there was a small hole through which the lady saw what was going on in the exhibition-room, and communications were no doubt made to her by signals from the person who attended the machine. When one of the spectators asked a question by speaking into one of the trumpets T, the sound was reflected from the mouth of the trumpet back to the aperture at A, in the horizontal rail, Fig. 38, and was distinctly conveyed along the closed tube into the apartment N. In like manner the answer issued from the aperture A, and being reflected back to the ear of the spectator by the trumpet, he heard the sounds with that change of character which they receive when transmitted through a tube and then reflected to the ear.
Fig. 39.