Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.

by David Brewster

Effects still more remarkable are produced in the eye when it views objects that are difficult to be seen from the small degree of light with which they happen to be illuminated. The imperfect view which we obtain of such objects forces us to fix the eye more steadily upon them; but the more exertion we make to ascertain what they are, the greater difficulties do we encounter to accomplish our object. The eye is actually thrown into a state of the most painful agitation, the object will swell and contract, and partly disappear, and it will again become visible when the eye has recovered from the delirium into which it has been thrown. This phenomenon may be most distinctly seen when the objects in a room are illuminated with the feeble gleam of a fire almost extinguished; but it may be observed in daylight by the sportsman when he endeavours to mark upon the monotonous heath the particular spot where moor-game has alighted. Availing himself of the slightest difference of tint in the adjacent heath, he keeps his eye steadily fixed on it as he advances, but whenever the contrast of illumination is feeble, he will invariably lose sight of his mark, and if the retina is capable of taking it up, it is only to lose it a second time.

This illusion is likely to be most efficacious in the dark, when there is just sufficient light to render white objects faintly visible, and to persons who are either timid or credulous must prove a frequent source of alarm. Its influence, too, is greatly aided by another condition of the eye, into which it is thrown during partial darkness. The pupil expands nearly to the whole width of the iris, in order to collect the feeble light which prevails; but it is demonstrable that in this state the eye cannot accommodate itself to see near objects distinctly, so that the forms of persons and things actually become more shadowy and confused when they come within the very distance at which we count upon obtaining the best view of them. These affections of the eye are, we are persuaded, very frequent causes of a particular class of apparitions which are seen at night by the young and the ignorant. The spectres which are conjured up are always white, because no other colour can be seen, and they are either formed out of inanimate objects which reflect more light than others around them, or of animals or human beings whose colour or change of place renders them more visible in the dark. When the eye dimly descries an inanimate object whose different parts reflect different degrees of light, its brighter parts may enable the spectator to keep up a continued view of it; but the disappearance and reappearance of its fainter parts, and the change of shape which ensues, will necessarily give it the semblance of a living form, and if it occupies a position which is unapproachable, and where animate objects cannot find their way, the mind will soon transfer to it a supernatural existence. In like manner a human figure shadowed forth in a feeble twilight may undergo similar changes, and after being distinctly seen while it is in a situation favourable for receiving and reflecting light, it may suddenly disappear in a position fully before, and within the reach of, the observer’s eye; and if this evanescence takes place in a path or road where there was no side-way by which the figure could escape, it is not easy for an ordinary mind to efface the impression which it cannot fail to receive. Under such circumstances we never think of distrusting an organ which we have never found to deceive us; and the truth of the maxim that “seeing is believing” is too universally admitted, and too deeply rooted in our nature, to admit on any occasion of a single exception.

In these observations we have supposed that the spectator bears along with him no fears or prejudices, and is a faithful interpreter of the phenomena presented to his senses; but if he is himself a believer in apparitions, and unwilling to receive an ocular demonstration of their reality, it is not difficult to conceive the picture which will be drawn when external objects are distorted and caricatured by the imperfect indications of his senses, and coloured with all the vivid hues of the imagination.

Another class of ocular deceptions have their origin in a property of the eye which has been very imperfectly examined. The fine nervous fabric which constitutes the retina, and which extends to the brain, has the singular property of being phosphorescent by pressure. When we press the eyeball outwards by applying the point of the finger between it and the nose, a circle of light will be seen, which Sir Isaac Newton describes as “a circle of colours like those in the feather of a peacock’s tail.” He adds, that “if the eye and the figure remain quiet, these colours vanish in a second of time; but if the finger be moved with a quavering motion, they appear again.” In the numerous observations which I have made on these luminous circles, I have never been able to observe any colour but white, with the exception of a general red tinge which is seen when the eyelids are closed, and which is produced by the light which passes through them. The luminous circles, too, always continue while the pressure is applied, and they may be produced as readily after the eye has been long in darkness as when it has been recently exposed to light. When the pressure is very gently applied, so as to compress the fine pulpy substance of the retina, light is immediately created when the eye is in total darkness; and when in this state light is allowed to fall upon it, the part compressed is more sensible to light than any other part, and consequently appears more luminous. If we increase the pressure, the eyeball, being filled with incompressible fluids, will protrude all round the point of pressure, and consequently the retina at the protruded part will be compressed by the outward pressure of the contained fluid, while the retina on each side, namely, under the point of pressure and beyond the protruded part, will be drawn towards the protruded part or dilated. Hence the part under the finger which was originally compressed is now dilated, the adjacent parts compressed, and the more remote parts immediately without this dilated also. Now we have observed, that when the eye is, under these circumstances, exposed to light, there is a bright luminous circle shading off externally and internally into total darkness. We are led, therefore, to the important conclusions, that when the retina is compressed in total darkness it gives out light; that when it is compressed when exposed to light, its sensibility to light is increased; and that when it is dilated under exposure to light, it becomes absolutely blind, or insensible to all luminous impressions.

When the body is in a state of perfect health, this phosphorescence of the eye shows itself on many occasions. When the eye or the head receives a sudden blow, a bright flash of light shoots from the eyeball. In the act of sneezing, gleams of light are emitted from each eye both during the inhalation of the air, and during its subsequent protrusion, and in blowing air violently through the nostrils, two patches of light appear above the axis of the eye and in front of it, while other two luminous spots unite into one, and appear as it were about the point of the nose when the eyes are directed to it. When we turn the eyeball by the action of its own muscles, the retina is affected at the place where the muscles are inserted, and there may be seen opposite each eye, and towards the nose, two semicircles of light, and other two extremely faint towards the temples. At particular times, when the retina is more phosphorescent than at others, these semicircles are expanded into complete circles of light.

In a state of indisposition, the phosphorescence of the retina appears in new and more alarming forms. When the stomach is under a temporary derangement accompanied with headache, the pressure of the blood-vessels upon the retina shows itself, in total darkness, by a faint blue light floating before the eye, varying in its shape, and passing away at one side. This blue light increases in intensity, becomes green and then yellow, and sometimes rises to red, all these colours being frequently seen at once, or the mass of light shades off into darkness. When we consider the variety of distinct forms which in a state of perfect health the imagination can conjure up when looking into a burning fire, or upon an irregularly shaded surface,[3] it is easy to conceive how the masses of coloured light which float before the eye may be moulded by the same power into those fantastic and natural shapes, which so often haunt the couch of the invalid, even when the mind retains its energy, and is conscious of the illusion under which it labours. In other cases, temporary blindness is produced by pressure upon the optic nerve, or upon the retina; and under the excitation of fever or delirium, when the physical cause which produces spectral forms is at its height, there is superadded a powerful influence of the mind, which imparts a new character to the phantasms of the senses.

In order to complete the history of the illusions which originate in the eye, it will be necessary to give some account of the phenomena called ocular spectra, or accidental colours. If we cut a figure out of red paper, and, placing it on a sheet of white paper, view it steadily for some seconds with one or both eyes fixed on a particular part of it, we shall observe the red colour to become less brilliant. If we then turn the eye from the red figure upon the white paper, we shall see a distinct green figure, which is the spectrum, or accidental colour of the red figure. With differently coloured figures we shall observe differently coloured spectra, as in the following table:—

COLOUR OF THE ORIGINAL FIGURES.		COLOUR OF THE SPECTRAL FIGURES.
	Red,	Bluish-green.
	Orange,	Blue.
	Yellow,	Indigo.
	Green,	Reddish-violet.
	Blue,	Orange-red.
	Indigo,	Orange-yellow.
	Violet,	Yellow.
	White,	Black.
	Black,	White.

The two last of these experiments, viz., white and black figures, may be satisfactorily made by using a white medallion on a dark ground, and a black profile figure. The spectrum of the former will be found to be black, and that of the latter white.

These ocular spectra often show themselves without any effort on our part, and even without our knowledge. In a highly painted room, illuminated by the sun, those parts of the furniture on which the sun does not directly fall have always the opposite or accidental colour. If the sun shines through a chink in a red window-curtain, its light will appear green, varying as in the above table, with the colour of the curtain; and if we look at the image of a candle, reflected from the water in a blue finger-glass, it will appear yellow. Whenever, in short, the eye is affected with one prevailing colour, it sees at the same time the spectral or accidental colour, just as when a musical string is vibrating, the ear hears at the same time its fundamental and its harmonic sounds.