Fig. 8.

Description of the Ocular Stereoscope.

A stereoscope upon the principle already described, in which the eyes alone are the agent, was contrived, in 1834, by Mr. Elliot, as we have already had occasion to state. He placed the binocular pictures, described in [Chapter I]., at one end of a box, and without the aid either of lenses or mirrors, he obtained a landscape in perfect relief. I have examined this stereoscope, and have given, in [Fig. 8], an accurate though reduced drawing of the binocular pictures executed and used by Mr. Elliot. I have also united the two original pictures by the convergency of the optic axes beyond them, and have thus seen the landscape in true relief. To delineate these binocular pictures upon stereoscopic principles was a bold undertaking, and establishes, beyond all controversy, Mr. Elliot’s claim to the invention of the ocular stereoscope.

If we unite the two pictures in [Fig. 8], by converging the optic axes to a point nearer the eye than the pictures, we shall see distinctly the stereoscopic relief, the moon being in the remote distance, the cross in the middle distance, and the stump of a tree in the foreground.

If we place the two pictures as in [Fig. 9], which is the position they had in Mr. Elliot’s box, and unite them, by looking at a point beyond them we shall also observe the stereoscopic relief. In this position Mr. Elliot saw the relief without any effort, and even without being conscious that he was not viewing the pictures under ordinary vision. This tendency of the optic axes to a distant convergency is so rare that I have met with it only in one person.

Fig. 9.

As the relief produced by the union of such imperfect pictures was sufficient only to shew the correctness of the principle, the friends to whom Mr. Elliot shewed the instrument thought it of little interest, and he therefore neither prosecuted the subject, nor published any account of his contrivance.

Mr. Wheatstone suggested a similar contrivance, without either mirrors or lenses. In order to unite the pictures by converging the optic axes to a point between them and the eye, he proposed to place them in a box to hide the lateral image and assist in making them unite with the naked eyes. In order to produce the union by looking at a point beyond the picture, he suggested the use of “a pair of tubes capable of being inclined to each other at various angles,” the pictures being placed on a stand in front of the tubes. These contrivances, however, though auxiliary to the use of the naked eyes, were superseded by the Reflecting Stereoscope, which we shall now describe.