‘Oh,’ cried Paul, laughing, ‘I like a straight hitter.’
Fortescue shifted the theme with some adroitness, but the talk grew stiff and formal. The younger man felt the disapproval of the elder, and was ill at ease under it. He rather shied at the house from that time forward, and, since an awkwardness of that kind grows easily and rapidly, his visits dwindled into rarity, until they ceased by automatic process.
It was years before he found a home again.
‘Along with many noble and admirable qualities the English people have one defect, which is recognised in the satires of every neighbouring nation, but is never acknowledged by themselves.’ Thus Paul Armstrong at his tent door, with the voice of the torrent to emphasize the waste silence of his dwelling-place, and the fog to clear his mental vision by shutting out from his perception all extraneous things; not thinking in these words, or thinking in words at all, but dunking thus: ‘Propriety is a British legend and a British lie.’
He was back in the old chambers, which were in one of the smaller Inns of Court, and was looking at the stale mirth and madness of the bygone days. Eight out of ten of the men he remembered had settled down, and two of the ten, to make an average, had gone to the devil The two were mainly of the better sort—fellows who stuck to an absurd responsibility, and let it ruin them. The eight were the good citizens who had had the wit to cut responsibility adrift. That was life as he knew it, as the boys of his day who studied divinity or medicine, or who read for the Bar, or who worked in painting or at journalism or letters, all knew it. Clerics, lawyers, painters, authors, men on ‘Change, all married and settled and respected, admirable citizens by the dozen and the score, and where are Lorna, and Clara, and Kate, and Caroline, and Fanny? Heaven knows—possibly. The knack of prosperity, surely, is to bury your indiscretions.
Oh, bitter, bitter, bitter to have loaded life with such a burden, not to have had the courage of a hundred others, and to have left the poor responsibility to sink or swim, to have compounded between vice or virtue instead of making a clean bargain with one or the other like the rest of the world, to have permitted a foolish pity to look like a resolute manhood to his eyes, to have throttled his own soul for a scruple!
He stages his own soul, and this is what he sees and hears and knows.
Annette is ailing, is seriously ill indeed, and he has taken her into the country. He has rented a cottage, in the front of which there is a great level common reaching for a mile or two on either side, and covered with golden gorse. In front of the cottage and across the common is a coppice, all browns and purples and yellows and siennas, and beyond that, as seen from the upper windows of the cottage, the land fades into misty autumnal blues, to join a whitened horizon which seems to shun the meeting, until for very weariness it can postpone it no longer—a bell-tent of sky, as it were, with a lifted edge, and beyond the skirts of the nearer sky another. Annette is lying in bed, and Paul is looking out of the window; he will see the landscape in that way always. He has known it under broad summer sunshine, in springtide freshness, under winter snow, obscured in sheeting rain, in moonlight, starlight, dawn, sunset; but whenever his thoughts go backwards to the place he is looking out of the window on that particular aspect of the scene, and Annette is behind him, propped in her bed with pillows.
‘Paul!’ He turns.
‘Come to me a moment. Sit down beside me. Take my hand’