The result, then, however surprising, of a general examination of the biblical history, is that the Hebrew and Christian religions, like all others, have their mythi. And this result is confirmed, if we consider the inherent nature of religion, what essentially belongs to it and therefore must be common to all religions, and what on the other hand is peculiar and may differ in each. If religion be defined as the perception of truth, not in the form of an idea, which is the philosophic perception, but invested with imagery; it is easy to see that the mythical element can be wanting only when religion either falls short of, or goes beyond, its peculiar province, and that in the proper religious sphere it must necessarily exist.
It is only amongst the lowest and most barbarous people, such as the Esquimaux, that we find religion not yet fashioned into an objective form, but still confined to a subjective feeling. They know nothing of gods, of superior spirits and powers, and their whole piety consists in an undefined sentiment excited by the hurricane, the eclipse, or the magician. As it progresses however, the religious principle loses more and more of this indefiniteness, and ceasing to be subjective, becomes objective. In the sun, moon, mountains, animals, and other objects of the sensible world, higher powers are discovered and revered; and in proportion as the significance given to these objects is remote from their actual nature, a new world of mere imagination is created, a sphere of divine existences whose relations to one another, actions, and influences, can be represented only after human analogy, and therefore as temporal and historical. Even when the mind has raised itself to the conception of the Divine unity, still the energy and activity of God are considered only under the form of a series of acts: and on the other hand, natural events and human actions can be raised to a religious significance only by the admission of divine interpositions and miracles. It is only from the philosophic point of view that the world of imagination is seen again to coincide with the actual, because the thought of God is comprehended to be his essence, and in the regular course itself of nature and of history, the revelation of the divine idea is acknowledged.
It is certainly difficult to conceive, how narratives which thus speak of imagination as reality can have been formed without intentional deceit, and believed without unexampled credulity; and this difficulty has been held an invincible objection to the mythical interpretation of many of the narratives of the Old and New Testament. If this were the case, it would apply equally to the Heathen legends; and on the other hand, if profane Mythology have [[81]]steered clear of the difficulty, neither will that of the Bible founder upon it. I shall here quote at length the words of an experienced inquirer into Grecian mythology and primitive history, Otfried Müller, since it is evident that this preliminary knowledge of the subject which must be derived from general mythology, and which is necessary for the understanding of the following examination of the evangelic mythus, is not yet familiar to all theologians. “How,” says Müller[94], “shall we reconcile this combination of the true and the false, the real and ideal, in mythi, with the fact of their being believed and received as truth? The ideal, it may be said, is nothing else than poetry and fiction clothed in the form of a narration. But a fiction of this kind cannot be invented at the same time by many different persons without a miracle, requiring, as it does, a peculiar coincidence of intention, imagination, and expression. It is therefore the work of one person:—but how did he convince all the others that his fiction had an actual truth? Shall we suppose him to have been one who contrived to delude by all kinds of trickery and deception, and perhaps allied himself with similar deceivers, whose part it was to afford attestation to the people of his inventions as having been witnessed by themselves? Or shall we think of him as a man of higher endowments than others, who believed him upon his word; and received the mythical tales under whose veil he sought to impart wholesome truths, as a sacred revelation? But it is impossible to prove that such a caste of deceivers existed in ancient Greece (or Palestine); on the contrary, this skilful system of deception, be it gross or refined, selfish or philanthropic, if we are not misled by the impression we have received from the earliest productions of the Grecian (or Christian) mind, is little suited to the noble simplicity of those times. Hence an inventer of the mythus in the proper sense of the word is inconceivable. This reasoning brings us to the conclusion, that the idea of a deliberate and intentional fabrication, in which the author clothes that which he knows to be false in the appearance of truth, must be entirely set aside as insufficient to account for the origin of the mythus. Or in other words, that there is a certain necessity in this connexion between the ideal and the real, which constitutes the mythus; that the mythical images were formed by the influence of sentiments common to all mankind; and that the different elements grew together without the author’s being himself conscious of their incongruity. It is this notion of a certain necessity and unconsciousness in the formation of the ancient mythi, on which we insist. If this be once understood, it will also be perceived that the contention whether the mythus proceed from one person or many, from the poet or the people, though it may be started on other grounds, does not go to the root of the matter. For if the one who invents the mythus is only obeying the impulse which acts also upon the minds of his hearers, he is but the mouth through which all speak, the skilful interpreter who has the address first to give form and expression to the thoughts of all. It is however very possible that this notion of necessity and unconsciousness, might appear itself obscure and mystical to our antiquarians (and theologians), from no other reason than that this mythicising tendency has no analogy in the present mode of thinking. But is not history to acknowledge even what is strange, when led to it by unprejudiced research?”
As an example to show that even very complicated mythi, in the formation of which many apparently remote circumstances must have combined, may [[82]]yet have arisen in this unconscious manner, Müller then refers to the Grecian mythus of Apollo and Marsyas. “It was customary to celebrate the festivals of Apollo with playing on the lyre, and it was necessary to piety, that the god himself should be regarded as its author. In Phrygia, on the contrary, the national music was the flute, which was similarly derived from a demon of their own, named Marsyas. The ancient Grecians perceived that the tones of these two instruments were essentially opposed: the harsh shrill piping of the flute must be hateful to Apollo, and therefore Marsyas his enemy. This was not enough: in order that the lyre-playing Grecian might flatter himself that the invention of his god was the more excellent instrument, Apollo must triumph over Marsyas. But why was it necessary in particular that the unlucky Phrygian should be flayed? Here is the simple origin of the mythus. Near the castle of Celœne in Phrygia, in a cavern whence flowed a stream or torrent named Marsyas, was suspended a skin flask, called by the Phrygians, the bottle of Marsyas; for Marsyas was, like the Grecian Silenus, a demi-god symbolizing the exuberance of the juices of nature. Now where a Grecian, or a Phrygian with Grecian prepossessions, looked on the bottle, he plainly saw the catastrophe of Marsyas; here was still suspended his skin, which had been torn off and made into a bottle:—Apollo had flayed him. In all this there is no arbitrary invention: the same ideas might have occurred to many, and if one first gave expression to them, he knew well that his auditors, imbued with the same prepossessions, would not for an instant doubt his accuracy.”
“The chief reason of the complicated character of mythi in general, is their having been formed for the most part, not at once, but successively and by degrees, under the influence of very different circumstances and events both external and internal. The popular traditions, being orally transmitted and not restricted by any written document, were open to receive every new addition, and thus grew in the course of long centuries to the form in which we now find them. (How far this applies to a great part of the New Testament mythi, will be shown hereafter.) This is an important and luminous fact, which however is very frequently overlooked in the explanation of mythi; for they are regarded as allegories invented by one person, at one stroke, with the definite purpose of investing a thought in the form of a narration.”
The view thus expressed by Müller, that the mythus is founded not upon any individual conception, but upon the more elevated and general conception of a whole people (or religious community), is said by a competent judge of Müller’s work to be the necessary condition for a right understanding of the ancient mythus, the admission or rejection of which henceforth ranges the opinions on mythology into two opposite divisions.[95]
It is not however easy to draw a line of distinction between intentional and unintentional fiction. In the case where a fact lay at the foundation, which, being the subject of popular conversation and admiration, in the course of time formed itself into a mythus, we readily dismiss all notion of wilful fraud, at least in its origin. For a mythus of this kind is not the work of one man, but of a whole body of men, and of succeeding generations; the narrative passing from mouth to mouth, and like a snowball growing by the involuntary addition of one exaggerating feature from this, and another from that narrator. In time however these legends are sure to fall into the way of some gifted minds, which will be stimulated by them to the exercise of their own poetical, religious, or didactic powers. Most of the mythical narratives which have come down to us from antiquity, such as the Trojan, and the Mosaic series of legends, are presented to us in this elaborated form. Here then it would [[83]]appear there must have been intentional deception: this however is only the result of an erroneous assumption. It is almost impossible, in a critical and enlightened age like our own, to carry ourselves back to a period of civilization in which the imagination worked so powerfully, that its illusions were believed as realities by the very minds that created them. Yet the very same miracles which are wrought in less civilized circles by the imagination, are produced in the more cultivated by the understanding. Let us take one of the best didactic historians of ancient or modern times, Livy, as an example. “Numa,” he says, “gave to the Romans a number of religious ceremonies, ne luxuriarentur otio animi, and because he regarded religion as the best means of bridling multitudinem imperitam et illis seculis rudem. Idem,” he continues, “nefastos dies fastosque fecit, quia aliquando nihil cum populo agi utile futurum erat.”[96] How did Livy know that these were the motives of Numa? In point of fact they certainly were not. But Livy believed them to be so. The inference of his own understanding appeared to him so necessary, that he treated it with full conviction as an actual fact. The popular legend, or some ancient poet, had explained this fertility of religious invention in Numa otherwise; namely, that it arose from his communication with the nymph Egeria, who revealed to him the forms of worship that would be most acceptable to the gods. It is obvious, that the case is pretty nearly the same with regard to both representations. If the latter had an individual author, it was his opinion that the historical statement could be accounted for only upon the supposition of a communication with a superior being; as it was that of Livy, that its explanation must lie in political views. The one mistook the production of his imagination, the other the inference of his understanding, for reality.
Perhaps it may be admitted that there is a possibility of unconscious fiction, even when an individual author is assigned to it, provided that the mythical consists only in the filling up and adorning some historical event with imaginary circumstances: but that where the whole story is invented, and not any historical nucleus is to be found, this unconscious fiction is impossible. Whatever view may be taken of the heathen mythology, it is easy to show with regard to the New Testament, that there was the greatest antecedent probability of this very kind of fiction having arisen respecting Jesus without any fraudulent intention. The expectation of a Messiah had grown up amongst the Israelitish people long before the time of Jesus, and just then had ripened to full maturity. And from its beginning this expectation was not indefinite, but determined, and characterized by many important particulars. Moses was said to have promised his people a prophet like unto himself ([Deut. xviii. 15]), and this passage was in the time of Jesus applied to the Messiah ([Acts iii. 22]; [vii. 37]). Hence the rabbinical principle: as the first redeemer (Goël), so shall be the second; which principle was carried out into many particulars to be expected in the Messiah after his prototype Moses.[97] Again, the Messiah was to come of the race of David, and as a second David take possession of his throne ([Matt. xxii. 42]; [[84]][Luke i. 32]; [Acts ii. 30]): and therefore in the time of Jesus it was expected that he, like David, should be born in the little village of Bethlehem ([John vii. 42]; [Matt. ii. 5 f.]). In the above passage Moses describes the supposed Messiah as a prophet; so in his own idea, Jesus was the greatest and last of the prophetic race. But in the old national legends the prophets were made illustrious by the most wonderful actions and destiny. How could less be expected of the Messiah? Was it not necessary beforehand, that his life should be adorned with that which was most glorious and important in the lives of the prophets? Must not the popular expectation give him a share in the bright portion of their history, as subsequently the sufferings of himself and his disciples were attributed by Jesus, when he appeared as the Messiah, to a participation in the dark side of the fate of the prophets ([Matt. xxiii. 29 ff.]; [Luke xiii. 33 ff.]; comp. [Matt. v. 12])? Believing that Moses and all the prophets had prophesied of the Messiah ([John v. 46]; [Luke iv. 21]; [xxiv. 27]), it was as natural for the Jews, with their allegorizing tendency, to consider their actions and destiny as types of the Messiah, as to take their sayings for predictions. In general the whole Messianic era was expected to be full of signs and wonders. The eyes of the blind should be opened, the ears of the deaf should be unclosed, the lame should leap, and the tongue of the dumb praise God ([Isa. xxxv. 5 f.]; [xlii. 7]; comp. [xxxii. 3], [4]). These merely figurative expressions soon came to be understood literally ([Matt. xi. 5]; [Luke vii. 21 f.]), and thus the idea of the Messiah was continually filled up with new details, even before the appearance of Jesus.[98] Thus many of the legends respecting him had not to be newly invented; they already existed in the popular hope of the Messiah, having been mostly derived with various modifications[99] from the Old Testament, and had merely to be transferred to Jesus,[100] and accommodated to his character and doctrines. In no case could it be easier for the person who first added any new feature to the description of Jesus, to believe himself its genuineness, since his argument would be: Such and such things must have happened to the Messiah; Jesus was the Messiah; therefore such and such things happened to him.[101]
Truly it may be said that the middle term of this argument, namely, that Jesus was the Messiah, would have failed in proof to his contemporaries all the more on account of the common expectation of miraculous events, if that expectation had not been fulfilled by him. But the following critique [[85]]on the Life of Jesus does not divest it of all those features to which the character of miraculous has been appropriated: and besides we must take into account the overwhelming impression which was made upon those around him by the personal character and discourse of Jesus, as long as he was living amongst them, which did not permit them deliberately to scrutinize and compare him with their previous standard. The belief in him as the Messiah extended to wider circles only by slow degrees; and even during his lifetime the people may have reported many wonderful stories of him (comp. [Matt. xiv. 2]). After his death, however, the belief in his resurrection, however that belief may have arisen, afforded a more than sufficient proof of his Messiahship; so that all the other miracles in his history need not be considered as the foundation of the faith in this, but may rather be adduced as the consequence of it.
It is however by no means necessary to attribute this same freedom from all conscious intention of fiction, to the authors of all those narratives in the Old and New Testament which must be considered as unhistorical. In every series of legends, especially if any patriotic or religious party interest is associated with them, as soon as they become the subject of free poetry or any other literary composition, some kind of fiction will be intentionally mixed up with them. The authors of the Homeric songs could not have believed that every particular which they related of their gods and heroes had really happened; and just as little could the writer of the Chronicles have been ignorant that in his deviation from the books of Samuel and of the Kings, he was introducing many events of later occurrence into an earlier period; or the author of the book of Daniel[102] that he was modelling his history upon that of Joseph, and accommodating prophecies to events already past; and exactly as little may this be said of all the unhistorical narratives of the Gospels, as for example, of the [first chapter of the third], and many parts of the fourth Gospel. But a fiction, although not undesigned, may still be without evil design. It is true, the case is not the same with the supposed authors of many fictions in the Bible, as with poets properly so called, since the latter write without any expectation that their poems will be received as history: but still it is to be considered that in ancient times, and especially amongst the Hebrews, and yet more when this people was stirred up by religious excitement, the line of distinction between history and fiction, prose and poetry, was not drawn so clearly as with us. It is a fact also deserving attention that amongst the Jews and early Christians, the most reputable authors published their works with the substitution of venerated names, without an idea that they were guilty of any falsehood or deception by so doing. [[86]]