Light-Fingered Gentry

by David Graham Phillips

"Thanks, no," answered Neva. "I'm not the least in a hurry."

Her tone ruffled him. His ears had been sentinels and his eyes scouts from the instant he knew who Armstrong was and with one expert glance took his measure mentally and physically. He appreciated that the female method in judging men is not at all like the male method, is wholly beyond the comprehension of a man; still, he could not believe that any man of the material, commercial type would attract a sincerely artistic, delicate, spiritual woman like Neva Carlin. He could not, as an expert in mankind, deny to Armstrong a certain charm of the force that in repose is like the mountain and in action is like the river. "But," reasoned he, "she knows him through and through, knows him as he is. For her, he's a commonplace tale that is told."

As Armstrong entered, his glance darted for Neva. It had first to meet Raphael smiling friendlily and suggesting anything but the man on guard, every nerve alert. Armstrong frowned frank dislike. He felt at a disadvantage before this superelegantly dressed and delicately perfumed personage. While he was not without experience with women, he had known only those who had sought him; his expertness was, thus, wholly in receiving advances and turning them to such advantage as suited his fancy, not at all in making overtures or laying siege. He saw at once that Boris was a master at the entire game of man and woman; he recalled Neva's passion for things artistic, her reverence for those great in artistic achievement; despite his prejudice against Boris, he measured him as a man of distinction and force. It seemed to him that this handsome master-painter, so masculine in feature and figure, so effeminately dandified in dress and manner, this fascinating specimen of the artistic sex that is the quintessence of both sexes, must have hypnotized his wife. Yes, his wife! For, now that Neva's revealed personality inspired in him wonder, awe, desire, he began to think of her as his property. He had quit title under a misapprehension; he had been cheated, none the less because the cheater happened to be himself.

Boris, ignoring his unfriendliness, advanced, engaged him, drew in Lona Trafford. Before he could contrive a move toward Neva, Boris had him securely trapped in a far corner of the salon with Lona as his watchful keeper, and was himself retreated in triumph to sit beside Neva. So thoroughly had Boris executed the maneuver, Armstrong was seated at such an angle that he could not even see Neva without rudely twisting away from Miss Trafford. He did not appreciate that he was the victim of a deliberate strategy. But Miss Trafford did; and when she found herself unable to fix his attention, she took a vengeful pleasure in keeping him trapped, enjoying his futile struggles, his ill-concealed wrath, his unconcealed jealousy.

That was a miserable half hour he passed; Lona talked of the painter and Neva—"his latest flame—you know, he's very inconstant—has the most dreadful reputation. Mamma wouldn't let him speak half a dozen words to me, unless she was there. They do say that Miss Carlin is making a saint of him—though, no doubt it's a disguise that'll be thrown off as soon as— I don't admire that sort of man, do you, Mr. Armstrong? I like a simple, honest man—" This with a look that said she regarded Armstrong as such—"a man that doesn't understand feminine tricks and the ways to circumvent women." There her cynical eyes smiled amusement at Armstrong's ruddy, lip-biting jealousy.

"It's rather cold, so far from the fire," said Armstrong, rising.

Lona rose also; she saw that Neva was about to go. "Just a minute," said she. "Miss Carlin is leaving. You can take the sofa as soon as she's out of the way."

Armstrong wheeled, left Miss Trafford precipitately. He was barely in time to intercept Neva, on her way to the door with Trafford. "Good night, Horace," she said. He could only stand and stare. For the first time she looked directly at him, her eyes full upon his. He remembered that in the old days, when their eyes occasionally met thus, hers had made him vaguely uncomfortable; he understood why, now. What was the meaning of this look she was giving him—this look from long, narrow lids, this look that searched him out, thrilled him with longing and with fear? He could not fathom it; he only knew that never before in his entire singly intent, ambitious life had the thought occurred to him that there might be some other worth while game than the big green tables of finance, some other use for human beings than as pawns in that game. She drew her hand away from his confused, detaining grasp, and was gone, leaving him an embarrassed, depressed, ludicrous figure, to be later the jeer of his own sense of humor.

Before Trafford had time to return from escorting her to her cab, Armstrong took leave. A brief silence in the salon; then Mrs. Trafford said to Raphael, "There is some mystery here, which I feel compelled to ask you to explain. You introduced Miss Carlin to me." She noted her daughter listening eagerly. "Lona, you would better go. Good night, my child."

Boris looked the amusement this affectation roused in him. "Don't send her away, Mrs. Trafford. The mystery is quite respectable. Miss Carlin used to be Mrs. Armstrong. As there were no children, she took her own name, when it became once more the only name she was entitled to."