Light-Fingered Gentry

by David Graham Phillips

"Warn!" exclaimed Trafford, bustling up and down, and plucking at his neat little beard. "How was I to know? But I supposed you'd understand that we never have anybody—any man—here unless he's of use. It's all very well to be strict, Lily; but——"

"Let's not talk about it," wailed his wife. "I'll do my best to straighten it. I shan't sleep a wink to-night."

Lona—"the child"—slipped away, a smile on her lips—a cynical smile which testified that the lesson in life as it is lived in the full stench of "respectability," had not failed to impress her.

XII

"WE NEVER WERE"

For the first time in Armstrong's career, it was imperative that he concentrate his whole mind; and, for the first time, he could not. In the midst of conferences with Trafford, with Atwater even, his attention would wander; forgetful of his surroundings, he would stare dazedly at a slim, yet not thin, figure, framed in the heavy purple and gold curtains of a doorway—the figure of his former wife, of the recreated Neva, on the threshold of Mrs. Trafford's salon. He had the habit of judging himself impartially, and this newly developed weakness of character, as strange in its way as the metamorphosis of Neva, roused angry self-contempt; but the apparition persisted, and also his inability to keep his thoughts off it.

Passion he understood, but not its compulsion, still less its tyranny. Love—except love of mother and child—he regarded as a myth that foozled only the foolish. He had sometimes thought he would like a home, a family; but a glance at the surface of the lives of his associates was enough to put such sentimentalities out of his head. He saw the imbecilities of extravagance and pretense into which the wife and daughters plunged as soon as the wealth of the head of the family permitted, the follies into which they dragged the "old man"—how, in his own home, just as downtown, he was not a man but a purse. No, Armstrong had no disposition to become the drudge and dupe of a fashionable family. So, in his life he had put woman in what he regarded as her proper place of merest incident. He spent a great deal of time with women—that is, a great deal for so busy a man. He liked women better than he liked men because with them he was able to relax and lower his guard, where with men he always had the sense of the game. For intelligence in women he cared not at all. Beauty and a good disposition—those were the requirements. It was not as at a woman that he looked at this unbanishable figure—not with the longing, thought he, or even the admiration of the masculine for the feminine—simply with wonder, a stupid stare, an endless repetition of the query, Who is it?

His vanity of self-poise was even more hard pressed to explain why he always saw, in sinister background to the apparition of Neva, the handsome, dandified face of Boris, strong, sensual, triumphant. He recalled what Lona Trafford had said of the painter. Yes, that explained it. Neva, guileless, inexperienced in the ways of the world, was being ensnared, all unsuspicious, by this rake. And, even though she might, probably would, have the virtuous fiber to stand out against him, still she would lose her reputation. Already people must be talking about her; so far as he could learn, no woman could associate with Raphael without it being assumed that she was not wasting his time. "The scented scoundrel!" muttered Armstrong. "Such men should be shot like mad dogs." This with perfect sincerity; with not a mocking suggestion that he himself had been as active in the same way as his time and inclination had permitted.

"Really, somebody ought to warn her," was naturally the next step. "What the devil do her people mean by letting her come here alone?" Yes, somebody ought to warn her. Of course, he couldn't undertake the office; his motive might be misunderstood. Still, it ought to be done. But— "Maybe, he's really in love with her—wants to marry her." This reflection so enraged him that he was in grave danger of discovering to himself the truth about his own state of mind. "Why not?" he hastily retorted upon himself. "What do I care? I must be crazy, to spend any time at all in thinking about matters that are nothing to me."

And he ordered the subject out of his mind. He was not surprised to discover that it had not obeyed him. Now, hatred of Boris became a sort of obsession with him. He found in, or imagined into, his memory picture of the painter's face, many repellant evidences of bad character. Whenever he heard Raphael's name, or saw it in a newspaper, he paused irritably upon it; he was soon in the habit of thinking of him as "that damned hound." Nor did this development unsettle his confidence in his freedom from heart interest in Neva; he was sure his antipathy toward the painter was the natural feeling of the normal man toward the abnormal. "Where's the man that wouldn't despise a creature who decks himself out with jewelry and wears rolling collars because he wants to show off his throat, and scents himself like a man-chasing woman?"