He drew a long breath, bowed with formal constraint, and went; and as he walked homeward he kept repeating dazedly, "We never were—never!"
XIII
OVERLOOK LODGE
Overlook Lodge was Amy's first real success at amusing those interminable hours of hers that were like a nursery full of spoiled children on a rainy day. Every previous device, however well it had begun, had soon been withered and killed by boredom, nemesis of idlers. Overlook was a success that grew. It began tediously; to a person unaccustomed to fixing the mind for longer than a few minutes, the technical part of architecture comes hard. But before many months Overlook had crowded out all the routine distractions; instead of its being a mere stop-gap between them, they became an irritating interruption to its absorbing interest. It even took the sharp edge off her discomfiture with Armstrong; for interest is the mental cure-all. She dreaded a return of her former state, when an empty hour would make her walk the floor, racking her brains for something to do; she spun this occupation out and out. Narcisse Siersdorf lost all patience; the patience of feminine with feminine, or of masculine with masculine, is less than infinite. "We'll never get anywhere," she protested. "You linger over the smallest details for weeks, and you make all sorts of absurd changes that you know can't stand, when you order them."
Narcisse did not comprehend the situation. Who with so much to do that the months fairly flash by, can sympathize with the piteous plight of those who have nothing to do and all the time in the world to do it? Alois was not so unsympathetic. When the Overlook plans were begun, he was away; but, soon after his return, Amy fastened upon him, and presently he had abandoned all other business of the firm to his sister, that he might devote himself to making this work "really great."
"Concentration's the thing," said he to Narcisse, in excusing himself to her—and to himself. "Miss Fosdick has the true artistic spirit. She is willing to let me give full play to my imagination, and she interferes only to help and to stimulate. I feel I can afford to devote an unusual amount of time and thought. When the work is done, it'll be a monument to us."
Narcisse gave him a queer glance, and her laugh was as queer as her eyes. He colored and frowned—and continued to dawdle with Amy over the plans. It was not his fault, nor hers, that the actual work finally did begin; it was the teasing of her father and Hugo about these endless elaborations of preparation. "When Overlook is begun" became the family synonym for never. She and Alois suddenly started the work, and pushed it furiously.
The site selected had nothing to recommend it but a view that was far and away the most extensive and varied in that beautiful part of New Jersey—mountains, hills, plains, rivers, lakes, wildernesses, villages, farms, two cities—a vast sweep of country, like a miniature summary of the earth's whole surface. But Overlook Hill was in itself barren and shapeless. Many times, rich men in search of places where they could see and be seen had taken it under consideration; but always the natural difficulties and the expense had discouraged them. Fosdick had bought the site before investigating; he had been about to sell, when Amy took Narcisse out there. The builder instantly saw, and unfolded to Amy, a plan for making the hill as wonderful in itself as in its prospect; and that original inspiration of hers was the basis of all that was done.
When Amy and Alois did set to work, they at once put into motion thousands of arms and wheels. The day came when the whole hill swarmed with men and carts, with engines and hoisting machines and steam diggers and blasting apparatus; and the quiet valley resounded with the uproar of the labor. Amy took rooms at the little hotel in the village, had them costlily refurnished, moved in with a cook and staff of servants; Alois came out every morning, even Sundays. The country people watched the performance in stupefaction; it was their first acquaintance with the audacities upon nature which modern science has made possible. And presently they saw a rugged cliff rise where there had been a commonplace steep, saw great terraces, slopes, levels, gentle grades, supersede the northern ascents of Overlook. The army of workmen laid hold of that huge upheaval of earth and rock and shaped it as if it had been a handful of potter's clay.
Near the base of the cliff ran the river; barges laden with stone began to arrive—stone from Vermont and from Georgia, from Indiana, from Italy. A funicular clambered up the surface of the cliff; soon its cars were moving all day, bearing the stone to the lofty top of the hill; and there appeared the beginnings of foundations—not of a house alone, but of a dozen buildings, widely separated, and of terraces and lake bottoms and bridges—for a torrent, with several short falls and one long leap, was part of the plans. At the same time, other barges, laden with earth and with great uprooted living trees, arrived in interminable procession, and upon bare heights and slopes now began to appear patches of green, clumps of wood. And where full-grown transplanted trees were not set out, saplings were being planted by the hundreds. As the stone walls rose, sod was brought—acres of grass of various kinds; and creepers and all manner of wild growing things to produce wilderness effects in those parts of the park which were not to be constructed with all the refinements of civilization. These marvels of nature-manufacture were carried on in privacy; for the very first work had been to enclose the hill, from cliff edge round to cliff edge on the other side, with a high stone wall, pierced by only two entrances—one, the main entrance with wrought-iron gates from France, and a lodge; the other, the farm or service entrance, nearer the village and the river.