“The man who is cutting copy there—don’t you see him make little marks on each piece? Those marks tell them just where their ‘take,’ as they call it, belongs.”
They went over to the part of the great room where there were many tables, on each a metal frame about the size of a page of the newspaper. Some of the frames were filled with type, others were partly empty. And men were lifting into them the galleys of type under the direction of the Night Editor and his staff. As soon as a frame was filled two men began to even the ends of the columns and then to screw up an inside framework which held the type firmly in place. Then a man laid a great sheet of what looked like blotting-paper upon the page of type and pounded it down with a mallet and scraped it with a stiff brush.
“That is the matrix,” said Howard. “See him putting it on the elevator.” They looked down the shaft. “It has dropped to the sub-basement,” said Howard, “two hundred and fifty feet below us. They are already bending it into a casting-box of the shape of the cylinders on the presses; metal will be poured in and when it is cool, you will have the metal form, the metal impression of the page. It will be fastened upon the press to print from.”
They walked back through the room which was now in almost lunatic confusion—forms being locked; galleys being lifted in; editors, compositors, boys, rushing to and fro in a fury of activity. Again the phenomenon of the news-room, the individual faces calm but their tense expressions and their swift motions making an impression of almost irrational excitement.
“Why such haste?” asked Marian.
“Because the paper must be put to press. It must contain the very latest news and it must also catch the mails; and the mail-trains do not wait.”
They descended in the main elevator to the ground floor and then went down a dark and winding staircase until they faced an iron door. Howard pushed it open and they entered the press-room. Its temperature was blood-heat, its air heavy and nauseating with the odours of ink, moist paper and oil, its lights dim. They were in a gallery and below them on all sides were the huge presses, silent, motionless, waiting.
Suddenly a small army of men leaped upon the mighty machines, scrambled over them, then sprang back. With a tremendous roar that shook the entire building the presses began to revolve, to hurl out great heaps of newspapers.
“Those presses eat six hundred thousand pounds of paper and four tons of ink a week,” Howard shouted. “They can throw out two hundred thousand complete papers an hour—papers that are cut, folded, pasted, and ready to send away. Let us go before you are stifled. This air is horrible.”
They returned in the elevator to his lofty office. Even there a slight vibration from the press-room could be felt. But it was calm and still, a fit place from which to view the panorama of sleeping city and drowsy harbour tranquil in the moonlight.