They were in Mrs. Belloc's comfortable sitting-room now, and she was smoking a cigarette and regarding Mildred with an expression of delight that was most flattering. Said Mildred:
"Your hair does look well. It's thicker—isn't it?"
"Think so?" said Mrs. Belloc. "It ought to be, with all the time and money I've spent on it. My, how New York does set a woman to repairing and fixing up. Nothing artificial goes here. It mustn't be paint and plumpers and pads, but the real teeth. Why, I've had four real teeth set in as if they were rooted—and my hips toned down. You may remember what heavy legs I had—piano-legs. Look at 'em now." Mrs. Belloc drew the wrapper to her knee and exposed in a pale-blue silk stocking a thin and comely calf.
"You HAVE been busy!" said Mildred.
"That's only a little part. I started to tell you about the hair. It was getting gray—not in a nice, pretty way, all over, but in spots and streaks. Nothing else makes a woman look so ragged and dingy and old as spotted, streaky gray hair. So I had the hair-woman touch it up. She vows it won't make my face hard. That's the trouble with dyed or touched hair, you know. But this is a new process."
"It's certainly a success," said Mildred. And in fact it was, and thanks to it and the other improvements Mrs. Belloc was an attractive and even a pretty woman, years younger than when Mildred saw her.
"Yes, I think I've improved," said Mrs. Belloc. "Nothing to scream about—but worth while. That's what we're alive for—to improve—isn't it? I've no patience with people who slide back, or don't get on—people who get less and less as they grow older. The trouble with them is they're vain, satisfied with themselves as they are, and lazy. Most women are too lazy to live. They'll only fix up to catch a man."
Mildred had grown sober and thoughtful.
"To catch a man," continued Mrs. Belloc. "And not much even for that. I'll warrant YOU'RE getting on. Tell me about it."
"Tell me about yourself, first," said Mildred.