Then he sat down. As far as the records are concerned, that was the longest speech the Old Man made in his life. The Boys hardly knew what to do; they felt they should applaud, but not being certain remained quiet. Then Willowby stood up.

"I do not want very much, gentlemen," he remarked. "I only want to be the next President of the United States, and I can be, with your help. Let me show you a picture."

He walked over to the covered picture, pulled a cord and unveiled it and there, life size, were the Old Man and Willowby shaking hands. Anyone could tell who they were and what they were doing. That brought the house down. Everybody felt that it was time for a little noise. Some of them, who knew the Big Boy well enough, went up and congratulated him on the new political alliance. In the confusion, Winifred Willowby slipped out of the room and no one noticed his absence.

But some one did notice the sideboard and started to sample the bottles. Soon everyone was drinking a little. But the Old Man did not drink. He just sat there, moodily chewing his cigar and wondering how much of the fifty million he could keep for his share.

Nobody saw the first rat. It dropped from behind the picture and ran under a chair. The next rat did the same. Perhaps fifty rats were in the room before their presence was noticed. By that time they were coming faster, by the dozen, by the hundred. That was different. One rat in a large room meant nothing. A hundred, five hundred in the same room could mean almost anything.

And now they were literally pouring out from back of the picture. A cursing man pulled it to the floor and there was a large hole in the wall, two feet in diameter, and out of that hole the rats were pouring, big brown, hungry rats, dropping to the floor and starting to hunt for food. The puzzled men jumped up on top the chairs; the rats stood on their hind legs and looked at the large chunks of food with black beady, binoculars. The Old Man just sat there, chewing his cigar and cursing. He knew what it all meant seconds before anyone else.

A number of the most fearful men made a dash for the elevator. They were driven back by a torrent of rats climbing up the elevator shaft. Then fear came—and panic. With gun and heel, and broken chairs for clubs, they started in to kill rats, and for every one they killed, a hundred fastened to them with chisel teeth. To make it worse, the lights went out, and they were there in the dark, with mutilation as a beginning and death as an ending, and still the rats poured into the room, up the elevator shaft and out of the hole in the wall.


The Old Man walked across the room, kicking the struggling bodies of his followers out of his pathway. Rats ran up his legs and tried to bite his hands, his face; he swept them off him as a tiger would wipe ants off his fur; at last he came to the window. There was the city of New York in front of him, the city of a million twinkling lights, the tomb of a billion dead hopes; the Morgue of a Nation, covered by laughing, painted faces. He raised the sash and sat on the sill.

"Damn Willowby!" he said. "What a fool I was. But I am going to die clean. No rat is going to send me to Hell!"