The production-model Kaypro, on the other hand, boasted a nine-inch, 80-column green screen from the start.
And the Kaypro keyboard made the Osborne board seem flimsy. “I like something I can feel when I’m pressing a letter down,” said Kim DeFilippis, a dealer relations woman who was one of the touch-typists chosen to try out different keyboards for the new machine. “The board doesn’t feel like one on a computer. It feels like a typewriter.” And the keys, unlike the Osborne’s, were in all the right places for people weaned on Selectrics. Kay had used the same Tiffany-quality keyboard found on computer terminals costing thousands of dollars more than his economy machine.
Kay, moreover, had given his Kaypro a metal case unlike the plastic one of the Osborne. Metal dispersed heat better, and that meant that the parts might last longer than those in the early Osbornes. Brand O tended to overheat floppy disks. Recalling that Non-Linear Systems made test instruments, however, one reviewer gibed that the metal case betrayed the Kaypro’s heritage. I didn’t care. The Kaypro reminded me of old Heathkits, of smoky soldering irons, of crisp, cold evenings in my youth when I’d listened through the static for the whistling dots and dashes from my fellow hams. But many people shrugged off the Kaypro’s appearance as unprofessional, and so I asked about the case. Kay said its contents dictated the shape. “Unless we created air space and made it larger,” he said, “we couldn’t have made the shape much different.” A hood shaded the Kaypro’s cathode ray tube (CRT; the TV-like screen). And as it turned out, that matched the comfortable slope of the keyboard that attached to the front of the machine for carrying. I noticed only a few adornments added for buyers’ eyes. One was the blue “KAYPRO II” lettering on the case and the stripes on it and the keyboard; another was the blue color of the keys on the calculatorlike numbers pad. No, you couldn’t mistake the Kaypro for a Gucci creation. And yet, as good, functional design, the Kaypro succeeded: at least one other portable appeared in a sharp-edged metal box.
The location of my Kaypro’s two disk drives, to the right of the CRT, was especially logical. Kay and his engineers wanted them well separated from a high-voltage transformer on the left—an electrical component that was part of the video circuitry and whose magnetic radiation could interfere with the operation of the drives. Bill McDonald noted the Osborne disks were on either side of the tube. Circuitry for a nine-inch tube produced more electronic noise than that given off by a five-incher. And McDonald speculated that this was one reason Osborne had to make do with the smaller size.
Inside the Kaypro, atop the printed circuit boards, you saw integrated circuits with leglike leads of the kind that one writer compared to caterpillars. You found somewhat similar looking parts inside the Osborne. But there was a difference. “Oh, my God,” said Michael Pond, owner of a Washington-area Kaypro dealership, the Computer Shoppe, “once you take the cover off the Osborne, everything sort of falls apart in your hand. It’s held together by the wiring harness. It’s like a jellyfish.” That may have been a bit off target. Chris Christiansen, however, a computer analyst with the Yankee Group, a high-tech marketing research firm, compared the Osborne to a Chinese puzzle and said an Osborne user “in the next office gets very nervous when I come around with a screwdriver.” By contrast the Kaypro looked eminently repairable. “When you take one part of the machine off,” Pond said, “the rest of the machine doesn’t fall apart.” Andy Kay’s people had divided up the circuitry into several modules that repairmen could remove easily. His computer had far fewer chips than the old Apple II. And with fewer chips, repair people more often could locate glitches by replacing various parts until the machine was working again. Fondly, Pond said the Kaypro II was “over-engineered,” like an early-model Volvo.
“Well,” you’re wondering, “what about the Kaypro I?”
It never existed except as a prototype. Of course, the II didn’t hurt Kay’s efforts to convince buyers that he had one up on Osborne.
The prototype’s screen was between the disk drives, interfering with them, and another flaw became clear: the shortness of the cable between the keyboard and the main unit. Bill McDonald was worried. Suppose a customer crushed a finger while wrestling with the little cable? Why not hinge the keyboard to the twenty-pound console? And that’s how Non-Linear Systems indeed built the prototype. But McDonald still fretted that someone might undo the latches; and so, driven by fear of a lawsuit from a klutzy Kaypro owner, the engineers redesigned the computer to accommodate a coiled cord several feet long.
Altogether, Andy Kay’s people spent only a year and less than half a million dollars developing the Kaypro II.
“After we’d been at it eight or nine months,” he said, “someone brought in some literature from Osborne, who had just announced his portable computer. I said, ‘Oh, oh, somebody beat me to the punch.’ But I saw he had a different idea in mind—a smaller screen, plastic case, different market.”[[10]] The words “different market” are more than a little off mark. Andy Kay, like it or not, was in direct competition with Osborne. Kay might sell his computers at independent stores rather than at the ComputerLands and Sears stores where many of Osborne’s machines ended up. But at meetings of Kaypro owners and “Ozzies,” I found the same hodgepodge of small-business people and professionals.