Now what other objects, beside identical ones, are capable of placing the mind in the same disposition, when it considers them, and of causing the same uninterrupted passage of the imagination from one idea to another? This question is of the last importance. For if we can find any such objects, we may certainly conclude, from the foregoing principle, that they are very naturally confounded with identical ones, and are taken for them in most of our reasonings. But though this question be very important, it is not very difficult nor doubtful. For I immediately reply, that a succession of related objects places the mind in this disposition, and is considered with the same smooth and uninterrupted progress of the imagination, as attends the view of the same invariable object. The very nature and essence of relation is to connect our ideas with each other, and upon the appearance of one, to facilitate the transition to its correlative. The passage betwixt related ideas is, therefore, so smooth and easy, that it produces little alteration on the mind, and seems like the continuation of the same action; and as the continuation of the same action is an effect of the continued view of the same object, it is for this reason we attribute sameness to every succession of related objects. The thought slides along the succession with equal facility, as if it considered only one object; and therefore confounds the succession with the identity.
We shall afterwards see many instances of this tendency of relation to make us ascribe an identity to different objects; but shall here confine ourselves to the present subject. We find by experience, that there is such a constancy in almost all the impressions of the senses, that their interruption produces no alteration on them, and hinders them not from returning the same in appearance and in situation as at their first existence. I survey the furniture of my chamber; I shut my eyes, and afterwards open them; and find the new perceptions to resemble perfectly those, which formerly struck my senses. This resemblance is observed in a thousand instances, and naturally connects together our ideas of these interrupted perceptions by the strongest relation, and conveys the mind with an easy transition from one to another. An easy transition or passage of the imagination, along the ideas of these different and interrupted perceptions, is almost the same disposition of mind with that in which we consider one constant and uninterrupted perception. It is therefore very natural for us to mistake the one for the other.[[5]]
[5] This reasoning, it must be confest, is somewhat abstruse, and difficult to be comprehended; but it is remarkable, that this very difficulty may be converted into a proof of the reasoning. We may observe, that there are two relations, and both of them resemblances, which contribute to our mistaking the succession of our interrupted perceptions for an identical object. The first is, the resemblance of the perceptions: The second is the resemblance, which the act of the mind in surveying a succession of resembling objects bears to that in surveying an identical object. Now these resemblances we are apt to confound with each other; and it is natural we shoud, according to this very reasoning. But let us keep them distinct, and we shall find no difficulty in conceiving the precedent argument.
The persons, who entertain this opinion concerning the identity of our resembling perceptions, are in general an the unthinking and unphilosophical part of mankind, (that is, all of us, at one time or other) and consequently such as suppose their perceptions to be their only objects, and never think of a double existence internal and external, representing and represented. The very image, which is present to the senses, is with us the real body; and it is to these interrupted images we ascribe a perfect identity. But as the interruption of the appearance seems contrary to the identity, and naturally leads us to regard these resembling perceptions as different from each other, we here find ourselves at a loss how to reconcile such opposite opinions. The smooth passage of the imagination along the ideas of the resembling perceptions makes us ascribe to them a perfect identity. The interrupted manner of their appearance makes us consider them as so many resembling, but still distinct beings, which appear after certain intervals. The perplexity arising from this contradiction produces a propension to unite these broken appearances by the fiction of a continued existence, which is the third part of that hypothesis I proposed to explain.
Nothing is more certain from experience, than that any contradiction either to the sentiments or passions gives a sensible uneasiness, whether it proceeds from without or from within; from the opposition of external objects, or from the combat of internal principles. On the contrary, whatever strikes in with the natural propensities, and either externally forwards their satisfaction, or internally concurs with their movements, is sure to give a sensible pleasure. Now there being here an opposition betwixt the notion of the identity of resembling perceptions, and the interruption of their appearance, the mind must be uneasy in that situation, and will naturally seek relief from the uneasiness. Since the uneasiness arises from the opposition of two contrary principles, it must look for relief by sacrificing the one to the other. But as the smooth passage of our thought along our resembling perceptions makes us ascribe to them an identity, we can never without reluctance yield up that opinion. We must, therefore, turn to the other side, and suppose that our perceptions are no longer interrupted, but preserve a continued as well as an invariable existence, and are by that means entirely the same. But here the interruptions in the appearance of these perceptions are so long and frequent, that it is impossible to overlook them; and as the appearance of a perception in the mind and its existence seem at first sight entirely the same, it may be doubted, whether we can ever assent to so palpable a contradiction, and suppose a perception to exist without being present to the mind. In order to clear up this matter, and learn how the interruption in the appearance of a perception implies not necessarily an interruption in its existence, it will be proper to touch upon some principles, which we shall have occasion to explain more fully afterwards.[[6]]
[6] Sect. 6.
We may begin with observing, that the difficulty in the present case is not concerning the matter of fact, or whether the mind forms such a conclusion concerning the continued existence of its perceptions, but only concerning the manner in which the conclusion is formed, and principles from which it is derived. It is certain, that almost all mankind, and even philosophers themselves, for the greatest part of their lives, take their perceptions to be their only objects, and suppose, that the very being, which is intimately present to the mind, is the real body or material existence. It is also certain, that this very perception or object is supposed to have a continued uninterrupted being, and neither to be annihilated by our absence, nor to be brought into existence by our presence. When we are absent from it, we say it still exists, but that we do not feel, we do not see it. When we are present, we say we feel, or see it. Here then may arise two questions; First, How we can satisfy ourselves in supposing a perception to be absent from the mind without being annihilated. Secondly, After what manner we conceive an object to become present to the mind, without some new creation of a perception or image; and what we mean by this seeing, and feeling, and perceiving.
As to the first question; we may observe, that what we call a mind, is nothing but a heap or collection of different perceptions, united together by certain relations, and supposed, though falsely, to be endowed with a perfect simplicity and identity. Now as every perception is distinguishable from another, and may be considered as separately existent; it evidently follows, that there is no absurdity in separating any particular perception from the mind; that is, in breaking off all its relations, with that connected mass of perceptions, which constitute a thinking being.
The same reasoning affords us an answer to the second question. If the name of perception renders not this separation from a mind absurd and contradictory, the name of object, standing for the very same thing, can never render their conjunction impossible. External objects are seen, and felt, and become present to the mind; that is, they acquire such a relation to a connected heap of perceptions, as to influence them very considerably in augmenting their number by present reflections and passions, and in storing the memory with ideas. The same continued and uninterrupted Being may, therefore, be sometimes present to the mind, and sometimes absent from it, without any real or essential change in the Being itself. An interrupted appearance to the senses implies not necessarily an interruption in the existence. The supposition of the continued existence of sensible objects or perceptions involves no contradiction. We may easily indulge our inclination to that supposition. When the exact resemblance of our perceptions makes us ascribe to them an identity, we may remove the seeming interruption by feigning a continued being, which may fill those intervals, and preserve a perfect and entire identity to our perceptions.
But as we here not only feign but believe this continued existence, the question is, from whence arises such a belief; and this question leads us to the fourth member of this system. It has been proved already, that belief in general consists in nothing, but the vivacity of an idea; and that an idea may acquire this vivacity by its relation to some present impression. Impressions are naturally the most vivid perceptions of the mind; and this quality is in part conveyed by the relation to every connected idea. The relation causes a smooth passage from the impression to the idea, and even gives a propensity to that passage. The mind falls so easily from the one perception to the other, that it scarce perceives the change, but retains in the second a considerable share of the vivacity of the first. It is excited by the lively impression; and this vivacity is conveyed to the related idea, without any great diminution in the passage, by reason of the smooth transition and the propensity of the imagination.