Few men would envy the character which Caesar gives of Cassius:

He loves no play,
As thou do'st, Anthony: he hears no music:
Seldom he smiles; and smiles in such a sort,
As if he mock'd himself, and scorn'd his spirit
That could be mov'd to smile at any thing.

Not only such men, as Caesar adds, are commonly DANGEROUS, but also, having little enjoyment within themselves, they can never become agreeable to others, or contribute to social entertainment. In all polite nations and ages, a relish for pleasure, if accompanied with temperance and decency, is esteemed a considerable merit, even in the greatest men; and becomes still more requisite in those of inferior rank and character. It is an agreeable representation, which a French writer gives of the situation of his own mind in this particular, VIRTUE I LOVE, says he, WITHOUT AUSTERITY: PLEASURE WITHOUT EFFEMINACY: AND LIFE, WITHOUT FEARING ITS END. [Footnote: 'J'aime la vertu, sans rudesse; J'aime le plaisir, sans molesse; J'aime la vie, et n'en crains point la fin.'-ST. EVREMONT.]

Who is not struck with any signal instance of greatness of mind or dignity of character; with elevation of sentiment, disdain of slavery, and with that noble pride and spirit, which arises from conscious virtue? The sublime, says Longinus, is often nothing but the echo or image of magnanimity; and where this quality appears in any one, even though a syllable be not uttered, it excites our applause and admiration; as may be observed of the famous silence of Ajax in the Odyssey, which expresses more noble disdain and resolute indignation than any language can convey [Footnote: Cap. 9.].

WERE I Alexander, said Parmenio, I WOULD ACCEPT OF THESE OFFERS MADE BY DARIUS. SO WOULD I TOO, replied Alexander, WERE I PARMENIO. This saying is admirable, says Longinus, from a like principle. [Footnote: Idem.]

GO! cries the same hero to his soldiers, when they refused to follow him to the Indies, GO TELL YOUR COUNTRYMEN, THAT YOU LEFT Alexander COMPLETING THE CONQUEST OF THE WORLD. 'Alexander,' said the Prince of Conde, who always admired this passage, 'abandoned by his soldiers, among barbarians, not yet fully subdued, felt in himself such a dignity and right of empire, that he could not believe it possible that any one would refuse to obey him. Whether in Europe or in Asia, among Greeks or Persians, all was indifferent to him: wherever he found men, he fancied he should find subjects.'

The confident of Medea in the tragedy recommends caution and submission; and enumerating all the distresses of that unfortunate heroine, asks her, what she has to support her against her numerous and implacable enemies. MYSELF, replies she; MYSELF I SAY, AND IT IS ENOUGH. Boileau justly recommends this passage as an instance of true sublime [Footnote: Reflexion 10 sur Longin.].

When Phocion, the modest, the gentle Phocion, was led to execution, he turned to one of his fellow-sufferers, who was lamenting his own hard fate, IS IT NOT GLORY ENOUGH FOR YOU, says he, THAT YOU DIE WITH PHOCION? [Footnote: Plutarch in Phoc.]

Place in opposition the picture which Tacitus draws of Vitellius, fallen from empire, prolonging his ignominy from a wretched love of life, delivered over to the merciless rabble; tossed, buffeted, and kicked about; constrained, by their holding a poniard under his chin, to raise his head, and expose himself to every contumely. What abject infamy! What low humiliation! Yet even here, says the historian, he discovered some symptoms of a mind not wholly degenerate. To a tribune, who insulted him, he replied, I AM STILL YOUR EMPEROR.

[Footnote: Tacit. hist. lib. iii. The author entering upon the
narration, says, LANIATA VESTE, FOEDUM SPECACULUM DUCEBATUR, MULTIS
INCREPANTIBUS, NULLO INLACRIMANTE: deformatitas exitus misericordiam
abstulerat. To enter thoroughly into this method of thinking, we must
make allowance for the ancient maxims, that no one ought to prolong his
life after it became dishonourable; but, as he had always a right to
dispose of it, it then became a duty to part with it.]