Fourthly, as the individuals are collected together, and placed under a general term with a view to that resemblance which they bear to each other, this relation must facilitate their entrance in the imagination, and make them be suggested more readily upon occasion. And, indeed, if we consider the common progress of the thought, either in reflection or conversation, we shall find great reason to be satisfied in this particular. Nothing is more admirable than the readiness with which the imagination suggests its ideas, and presents them at the very instant in which they become necessary or useful. The fancy runs from one end of the universe to the other, in collecting those ideas which belong to any subject. One would think the whole intellectual world of ideas was at once subjected to our view, and that we did nothing but pick out such as were most proper for our purpose. There may not, however, be any present, beside those very ideas, that are thus collected by a kind of magical faculty in the soul, which, though it be always most perfect in the greatest geniuses, and is properly what we call a genius, is however inexplicable by the utmost efforts of human understanding.

Perhaps these four reflections may help to remove all difficulties to the hypothesis I have proposed concerning abstract ideas, so contrary to that which has hitherto prevailed in philosophy. But to tell the truth, I place my chief confidence in what I have already proved concerning the impossibility of general ideas, according to the common method of explaining them. We must certainly seek some new system on this head, and there plainly is none beside what I have proposed. If ideas be particular in their nature, and at the same time finite in their number, 'tis only by custom they can become general in their representation, and contain an infinite number of other ideas under them.

Before I leave this subject, I shall employ the same principles to explain that distinction of reason, which is so much talked of, and is so little understood in the schools. Of this kind is the distinction betwixt figure and the body figured; motion and the body moved. The difficulty of explaining this distinction arises from the principle above explained, that all ideas which are different are separable. For it follows from thence, that if the figure be different from the body, their ideas must be separable as well as distinguishable; if they be not different, their ideas can neither be separable nor distinguishable. What then is meant by a distinction of reason, since it implies neither a difference nor separation?

To remove this difficulty, we must have recourse to the foregoing explication of abstract ideas. 'Tis certain that the mind would never have dreamed of distinguishing a figure from the body figured, as being in reality neither distinguishable, nor different, nor separable, did it not observe, that even in this simplicity there might be contained many different resemblances and relations. Thus, when a globe of white marble is presented, we receive only the impression of a white colour disposed in a certain form, nor are we able to separate and distinguish the colour from the form. But observing afterwards a globe of black marble and a cube of white, and comparing them with our former object, we find two separate resemblances, in what formerly seemed, and really is, perfectly inseparable. After a little more practice of this kind, we begin to distinguish the figure from the colour by a distinction of reason; that is, we consider the figure and colour together, since they are, in effect, the same and undistinguishable; but still view them in different aspects, according to the resemblances of which they are susceptible. When we would consider only the figure of the globe of white marble, we form in reality an idea both of the figure and colour, but tacitly carry our eye to its resemblance with the globe of black marble: and in the same manner, when we would consider its colour only, we turn our view to its resemblance with the cube of white marble. By this means we accompany our ideas with a kind of reflection, of which custom renders us, in a great measure, insensible. A person who desires us to consider the figure of a globe of white marble without thinking on its colour, desires an impossibility; but his meaning is, that we should consider the colour and figure together, but still keep in our eye the resemblance to the globe of black marble, or that to any other globe of whatever colour or substance.


[3] Dr Berkeley.

[4] 'Tis evident, that even different simple ideas may have a similarity or resemblance to each other; nor is it necessary, that the point or circumstance of resemblance should be distinct or separable from that in which they differ. Blue and green are different simple ideas, but are more resembling than blue and scarlet; though their perfect simplicity excludes all possibility of separation or distinction. 'Tis the same case with particular sounds, and tastes, and smells. These admit of infinite resemblances upon the general appearance and comparison, without having any common circumstance the same. And of this we may be certain, even from the very abstract terms simple idea. They comprehend all simple ideas under them. These resemble each other in their simplicity. And yet from their very nature, which excludes all composition, this circumstance, in which they resemble, is not distinguishable or separable from the rest. 'Tis the same case with all the degrees in any quality. They are all resembling, and yet the quality, in any individual, is not distinct from the degree.


[PART II.]