[SECTION IX.]
OF EXTERNAL ADVANTAGES AND DISADVANTAGES.
But though pride and humility have the qualities of our mind and body, that is self, for their natural and more immediate causes, we find by experience that there are many other objects which produce these affections, and that the primary one is, in some measure, obscured and lost by the multiplicity of foreign and extrinsic. We round a vanity upon houses, gardens, equipages, as well as upon personal merit and accomplishments; and though these external advantages be in themselves widely distant from thought or a person, yet they considerably influence even a passion, which is directed to that as its ultimate object. This happens when external objects acquire any particular relation to ourselves, and are associated or connected with us. A beautiful fish in the ocean, an animal in a desart, and indeed any thing that neither belongs, nor is related to us, has no manner of influence on our vanity, whatever extraordinary qualities it may be endowed with, and whatever degree of surprise and admiration it may naturally occasion. It must be some way associated with us in order to touch our pride. Its idea must hang in a manner upon that of ourselves; and the transition from the one to the other must be easy and natural.
But here 'tis remarkable, that though the relation of resemblance operates upon the mind in the same manner as contiguity and causation, in conveying us from one idea to another, yet 'tis seldom a foundation either of pride or of humility. If we resemble a person in any of the valuable parts of his character, we must, in some degree, possess the quality in which we resemble him; and this quality we always choose to survey directly in ourselves, rather than by reflection in another person, when we would found upon it any degree of vanity. So that though a likeness may occasionally produce that passion, by suggesting a more advantageous idea of ourselves, 'tis there the view, fixes at last, and the passion finds its ultimate and final cause.
There are instances, indeed, wherein men show a vanity in resembling a great man in his countenance, shape, air, or other minute circumstances, that contribute not in any degree to his reputation; but it must be confessed, that this extends not very far, nor is of any considerable moment in these affections. For this I assign the following reason. We can never have a vanity of resembling in trifles any person, unless he be possessed of very shining qualities, which give us a respect and veneration for him. These qualities, then, are, properly speaking, the causes of our vanity, by means of their relation to ourselves. Now, after what manner are they related to ourselves? They are parts of the person we value, and, consequently, connected with these trifles; which are also supposed to be parts of him. These trifles are connected with the resembling qualities in us; and these qualities in us, being parts, are connected with the whole; and, by that means, form a chain of several links betwixt ourselves and the shining qualities of the person we resemble. But, besides that this multitude of relations must weaken the connexion, 'tis evident the mind, in passing from the shining qualities to the trivial ones, must, by that contrast, the better perceive the minuteness of the latter, and be, in some measure, ashamed of the comparison and resemblance.
The relation, therefore, of contiguity, or that of causation, betwixt the cause and object of pride and humility, is alone requisite to give rise to these passions; and these relations are nothing else but qualities, by which the imagination is conveyed from one idea to another. Now, let us consider what effect these can possibly have upon the mind, and by what means they become so requisite to the production of the passions. 'Tis evident, that the association of ideas operates in so silent and imperceptible a manner, that we are scarce sensible of it, and discover it more by its effects than by any immediate feeling or perception. It produces no emotion, and gives rise to no new impression of any kind, but only modifies those ideas of which the mind was formerly possessed, and which it could recal upon occasion. From this reasoning, as well as from undoubted experience, we may conclude, that an association of ideas, however necessary, is not alone sufficient to give rise to any passion.
'Tis evident, then, that when the mind feels the passion, either of pride or humility, upon the appearance of a related object, there is, beside the relation or transition of thought, an emotion, or original impression, produced by some other principle. The question is, whether the emotion first produced be the passion itself, or some other impression related to it. This question we cannot be long in deciding. For, besides all the other arguments with which this subject abounds, it must evidently appear, that the relation of ideas, which experience shows to be so requisite a circumstance to the production of the passion, would be entirely superfluous, were it not to second a relation of affections, and facilitate the transition from one impression to another. If nature produced immediately the passion of pride or humility, it would be completed in itself, and would require no farther addition or increase from any other affection. But, supposing the first emotion to be only related to pride or humility, 'tis easily conceived to what purpose the relation of objects may serve, and how the two different associations of impressions and ideas, by uniting their forces, may assist each other's operation. This is not only easily conceived, but, I will venture to affirm, 'tis the only manner in which we can conceive this subject. An easy transition of ideas, which, of itself, causes no emotion, can never be necessary, or even useful to the passions, but by forwarding the transition betwixt some related impressions. Not to mention that the same object causes a greater or smaller degree of pride, not only in proportion to the increase or decrease of its qualities, but also to the distance or nearness of the relation, which is a clear argument for the transition of affections along the relation of ideas, since every change in the relation produces a proportionable change in the passion. Thus one part of the preceding system, concerning the relations of ideas, is a sufficient proof of the other, concerning that of impressions; and is itself so evidently founded on experience, that 'twould be lost time to endeavour farther to prove it.
This will appear still more evidently in particular instances. Men are vain of the beauty of their country, of their county, of their parish. Here the idea of beauty plainly produces a pleasure. This pleasure is related to pride. The object or cause of this pleasure is, by the supposition, related to self, or the object of pride. By this double relation of impressions and ideas, a transition is made from the one impression to the other.
Men are also vain of the temperature of the climate in which they were born; of the fertility of their native soil; of the goodness of the wines, fruits, or victuals, produced by it; of the softness or force of their language, with other particulars of that kind. These objects have plainly a reference to the pleasures of the senses, and are originally considered as agreeable to the feeling, taste, or hearing. How is it possible they could ever become objects of pride, except by means of that transition above explained?