It is quite evident the frame of the large lodge encountered by Hind was similar to the structure described by Kane a few years before. Both stood in the northern part of the Ojibway country, a region where birch bark was extensively used as covering for the wigwams, and where it was easily obtained.
The temporary, quickly raised shelters of the Ojibway were described by Tanner, who learned to make them from the people with whom he remained many years. Referring to a journey up the valley of the Assiniboin, he wrote: "In bad weather we used to make a little lodge, and cover it with three or four fresh buffaloe hides, and these being soon frozen, made a strong shelter from wind and snow. In calm weather, we commonly encamped with no other covering than our blankets." (Tanner, (1) p. 55.) On another occasion fire destroyed the wigwam and all the possessions of the family with whom he lived, and then, so he said: "We commenced to repair our loss, by building a small grass lodge, in which to shelter ourselves while we should prepare the pukkwi for a new wigwam. The women were very industrious in making these.... At night, also, when it was too dark to hunt, Wa-me-gon-a-biew and myself assisted at this labour. In a few days our lodge was completed." (Op. cit., p. 85.) And again when near Rainy Lake, "I had no pukkwi, or mats, for a lodge and therefore had to build one of poles and long grass." (p. 214.) It is quite evident the shelters of poles and grass, as mentioned by Tanner, were similar to those erected by the Assiniboin as described on another page, and as indicated in the painting by Paul Kane, which is reproduced as plate [25], a.
Two very interesting old photographs, made more than half a century ago, are shown in plate [9]. One, a, represents clearly the elm-bark covering of the wigwams, and in this picture the arbor suggests a Siouan rather than an Ojibway encampment; b is more characteristic of the Ojibway.
The structures encountered in the Ojibway country farther south differed from those already mentioned, the majority of which were covered with sheets of birch bark, a form which must necessarily have been restricted to the northern country. But the type was widely scattered northward, and undoubtedly extended eastward to the Atlantic, especially down the valley of the St. Lawrence into northern Maine and the neighboring Provinces. South of this zone were the dome-shaped mat or bark covered wigwams, varying in different localities according to the available supply of barks, or of rushes to be made into mats, which served to cover the rigid, oval-topped frame. Most interesting examples were standing in the Ojibway settlements on the shore of Mille Lac, Minnesota, during the spring of 1900. One, which may be accepted as a type specimen, was of a quadrilateral rather than oval outline of base, and measured about 14 feet each way, with a maximum height of 6 feet or more. The saplings which formed the frame were seldom more than 2 inches in diameter, one end being set firmly in the ground, the top being bent over and attached to similar pieces coming from the opposite side. Other small saplings or branches were tied firmly to these in a horizontal position about 2 feet apart, thus forming a rigid frame, over which was spread the covering of mats and sheets of bark, the latter serving as the roof. In this particular example the covering was held in place by cords which passed over the top and were attached to poles which hung horizontally about a foot above the ground. A second row of mats was fastened to the inside of the frame and others were spread on the ground near the walls. A small fire burned within near the center of the open space, although the cooking was often done outside, just beyond the single entrance.
Although the Ojibway were numerous, they had few large villages or settlements. They lived for the most part in small, scattered groups, and often moved from place to place. However, there were some long-occupied sites, as at Red Lake, Sandy Lake, on the shores of Leech Lake, where the Pillagers gathered, and the more recently occupied villages at Mille Lac, sites once covered by the settlements of the Mdewakanton. These villages, which should more properly be termed "gathering places," at once suggest the various descriptions and accounts of the great village of the Illinois, which stood on the banks of the upper Illinois during the latter part of the seventeenth century and was many times visited by the French.
When the Ojibway and Sioux gathered at Fort Snelling, at the mouth of the Minnesota River, during the summer of 1835 in the endeavor to establish peace between the two tribes or groups, they were encamped on opposite sides of the fort. Catlin, who was there at the time, wrote of the temporary camp of the Ojibway: "their wigwams made of birch bark, covering the frame work, which was of slight poles stuck in the ground, and bent over at the top, so as to give a rooflike shape to the lodge, best calculated to ward off rain and winds." (Catlin, (1), II, p. 137.) Unfortunately, the original painting of the camp does not exist in the great collection of Catlin paintings now belonging to the National Museum, Washington. In the catalogue of the collection printed in London, 1848, it appears as "334, Chippeway Village and Dog Feast at the Falls of St. Anthony; lodges built with birch-bark; Upper Mississippi."
An outline drawing of the picture was given as plate 238 to illustrate the account quoted above, but how accurate either description or sketch may be is now quite difficult to determine. However, it is doubtful if the structures had flat ends, as indicated, and mats may have formed part of the covering. Catlin continued his narrative and told of the removal of the camp (p. 138): "After the business and amusements of this great Treaty between the Chippeways and Sioux were all over, the Chippeways struck their tents by taking them down and rolling up their bark coverings, which, with their bark canoes seen in the picture, turned up amongst their wigwams, were carried to the water's edge; and all things being packed in, men, women, dogs, and all, were swiftly propelled by paddles to the Falls of St Anthony." They reached "an eddy below the Falls, and as near as they could get by paddling." Here the canoes were unloaded and the canoes and all else carried about one-half mile above the Falls, where they again embarked and continued on their way. It is interesting to contemplate this scene and to realize it was enacted within the limits of the present city of Minneapolis so short a time ago. A beautiful example of the light birch-bark canoe of the Ojibway is shown in plate [10], a, and a photograph of two old Ojibway Indians with similar canoes is reproduced in plate [10], b. The canoes indicated by Kane in his painting (pl. [7], a) were of this form, probably the most graceful and easiest propelled craft ever devised.
BUREAU OF AMERICAN ETHNOLOGY BULLETIN 77 PLATE 10
a. Ojibway birch bark canoe. Northern Minnesota, 1899