English pleasure-gardens have been much imitated by the French. Viscomte Girardin, at his estate of Ermenonville, dedicated an inscription in amusing French-English to the proprietor of the Leasowes--
THIS PLAIN STONE
TO WILLIAM SHENSTONE;
IN HIS WRITINGS HE DISPLAYED
A MIND NATURAL;
AT LEASOWES HE LAID
ARCADIAN GREENS RURAL.
The Viscomte, though his English composition was so quaint and imperfect, was an elegant writer in his own language, and showed great taste and skill in laying out his grounds. He had visited England, and carefully studied our modern style of gardening. He had personally consulted Shenstone, Mason, Whateley and other English authors on subjects of rural taste. He published an eloquent description of his own estate. His famous friend Rousseau wrote the preface to it. The book was translated into English. Rousseau spent his last days at Ermenonville and was buried there in what is called The Isle of Poplars. The garden is now in a neglected state, but the tomb of Rousseau remains uninjured, and is frequently visited by the admirers of his genius.
"Dr. Warton," says Bowles, "mentions Milton and Pope as the poets to whom English Landscape is indebted, but he forgot poor Shenstone." A later writer, however, whose sympathy for genius communicates such a charm to all his anecdotes and comments in illustration of the literary character, has devoted a chapter of his Curiosities of Literature to a notice of the rural tastes of the proprietor of the Leasowes. I must give a brief extract from it.
"When we consider that Shenstone, in developing his fine pastoral ideas in the Leasowes, educated the nation into that taste for landscape- gardening, which has become the model of all Europe, this itself constitutes a claim on the gratitude of posterity. Thus the private pleasures of a man of genius may become at length those of a whole people. The creator of this new taste appears to have received far less notice than he merited. The name of Shenstone does not appear in the Essay on Gardening, by Lord Orford; even the supercilious Gray only bestowed a ludicrous image on these pastoral scenes, which, however, his friend Mason has celebrated; and the genius of Johnson, incapacitated by nature to touch on objects of rural fancy, after describing some of the offices of the landscape designer, adds, that 'he will not inquire whether they demand any great powers of mind.' Johnson, however, conveys to us his own feelings, when he immediately expresses them under the character of 'a sullen and surly speculator.' The anxious life of Shenstone would indeed have been remunerated, could he have read the enchanting eulogium of Whateley on the Leasowes; which, said he, 'is a perfect picture of his mind--simple, elegant and amiable; and will always suggest a doubt whether the spot inspired his verse, or whether in the scenes which he formed, he only realised the pastoral images which abound in his songs.' Yes! Shenstone had been delighted could he have heard that Montesquieu, on his return home, adorned his 'Chateau Gothique, mais orné de bois charmans, don't j'ai pris l'idée en Angleterre;' and Shenstone, even with his modest and timid nature, had been proud to have witnessed a noble foreigner, amidst memorials dedicated to Theocritus and Virgil, to Thomson and Gesner, raising in his grounds an inscription, in bad English, but in pure taste, to Shenstone himself; for having displayed in his writings 'a mind natural,' and in his Leasowes 'laid Arcadian greens rural;' and recently Pindemonte has traced the taste of English gardening to Shenstone. A man of genius sometimes receives from foreigners, who are placed out of the prejudices of his compatriots, the tribute of posterity!"
"The Leasowes," says William Howitt, "now belongs to the Atwood family; and a Miss Atwood resides there occasionally. But the whole place bears the impress of desertion and neglect. The house has a dull look; the same heavy spirit broods over the lawns and glades: And it is only when you survey it from a distance, as when approaching Hales-Owen from Hagley, that the whole presents an aspect of unusual beauty."
Shenstone was at least as proud of his estate of the Leasowes as was Pope of his Twickenham Villa--perhaps more so. By mere men of the world, this pride in a garden may be regarded as a weakness, but if it be a weakness it is at least an innocent and inoffensive one, and it has been associated with the noblest intellectual endowments. Pitt and Fox and Burke and Warren Hastings were not weak men, and yet were they all extremely proud of their gardens. Every one, indeed, who takes an active interest in the culture and embellishment of his garden, finds his pride in it and his love for it increase daily. He is delighted to see it flourish and improve beneath his care. Even the humble mechanic, in his fondness for a garden, often indicates a feeling for the beautiful, and a genial nature. If a rich man were openly to boast of his plate or his equipages, or a literary man of his essays or his sonnets, as lovers of flowers boast of their geraniums or dahlias or rhododendrons, they would disgust the most indulgent hearer. But no one is shocked at the exultation of a gardener, amateur or professional, when in the fulness of his heart he descants upon the unrivalled beauty of his favorite flowers:
'Plants of his hand, and children of his care.'
"I have made myself two gardens," says Petrarch, "and I do not imagine that they are to be equalled in all the world. I should feel myself inclined to be angry with fortune if there were any so beautiful out of Italy." "I wish," says poor Kirke White writing to a friend, "I wish you to have a taste of these (rural) pleasures with me, and if ever I should live to be blessed with a quiet parsonage, and another great object of my ambition--a garden, I have no doubt but we shall be for some short intervals at least two quite contented bodies." The poet Young, in the latter part of his life, after years of vain hopes and worldly struggles, gave himself up almost entirely to the sweet seclusion of a garden; and that peace and repose which cannot be found in courts and political cabinets, he found at last
In sunny garden bowers
Where vernal winds each tree's low tones awaken,
And buds and bells with changes mark the hours.