If stars teach as well as shine--so do flowers. In "still small accents" they charm "the nice and delicate ear of thought" and sweetly whisper that "the hand that made them is divine."
The stars are the poetry of heaven--the clouds are the poetry of the middle sky--the flowers are the poetry of the earth. The last is the loveliest to the eye and the nearest to the heart. It is incomparably the sweetest external poetry that Nature provides for man. Its attractions are the most popular; its language is the most intelligible. It is of all others the best adapted to every variety and degree of mind. It is the most endearing, the most familiar, the most homefelt, and congenial. The stars are for the meditation of poets and philosophers; but flowers are not exclusively for the gifted or the scientific; they are the property of all. They address themselves to our common nature. They are equally the delight of the innocent little prattler and the thoughtful sage. Even the rude unlettered rustic betrays some feeling for the beautiful in the presence of the lovely little community of the field and garden. He has no sympathy for the stars: they are too mystical and remote. But the flowers as they blush and smile beneath his eye may stir the often deeply hidden lovingness and gentleness of his nature. They have a social and domestic aspect to which no one with a human heart can be quite indifferent. Few can doat upon the distant flowers of the sky as many of us doat upon the flowers at our feet. The stars are wholly independent of man: not so the sweet children of Flora. We tend upon and cherish them with a parental pride. They seem especially meant for man and man for them. They often need his kindest nursing. We place them with guardian hand in the brightest light and the most wholesome air. We quench with liquid life their sun-raised thirst, or shelter them from the wintry blast, or prepare and enrich their nutritious beds. As they pine or prosper they agitate us with tender anxieties, or thrill us with exultation and delight. In the little plot of ground that fronts an English cottage the flowers are like members of the household. They are of the same family. They are almost as lovely as the children that play with them--though their happy human associates may be amongst
The sweetest things that ever grew
Beside a human door.
The Greeks called flowers the Festival of the eye: and so they are: but they are something else, and something better.
A flower is not a flower alone,
A thousand sanctities invest it.
Flowers not only touch the heart; they also elevate the soul. They bind us not entirely to earth; though they make earth delightful. They attract our thoughts downward to the richly embroidered ground only to raise them up again to heaven. If the stars are the scriptures of the sky, the flowers are the scriptures of the earth. If the stars are a more glorious revelation of the Creator's majesty and might, the flowers are at least as sweet a revelation of his gentler attributes. It has been observed that
An undevout astronomer is mad.
The same thing may be said of an irreverent floriculturist, and with equal truth--perhaps indeed with greater. For the astronomer, in some cases, may be hard and cold, from indulging in habits of thought too exclusively mathematical. But the true lover of flowers has always something gentle and genial in his nature. He never looks upon his floral-family without a sweetened smile upon his face and a softened feeling in his heart; unless his temperament be strangely changed and his mind disordered. The poets, who, speaking generally, are constitutionally religious, are always delighted readers of the flower- illumined pages of the book of nature. One of these disciples of Flora earnestly exclaims:
Were I, O God, in churchless lands remaining
Far from all voice of teachers and divines,
My soul would find in flowers of thy ordaining
Priests, sermons, shrines
The popular little preachers of the field and garden, with their lovely faces, and angelic language--sending the while such ambrosial incense up to heaven--insinuate the sweetest truths into the human heart. They lead us to the delightful conclusion that beauty is in the list of the utilities--that the Divine Artist himself is a lover of loveliness-- that he has communicated a taste for it to his creatures and most lavishly provided for its gratification.