[29.] Her., XV. 61.
[30.] Confirmed by the new papyrus. The more correct form would be Clévis (Κλεῦις or Κλεῖϊς) after the founder of Lesbus, who was named Κλεύας, Strabo, 582.
[31.] Cf. Edmonds, pp. 144-147.
[32.] Hiller von Gaertringen, Inschriften von Priene, 18; for Erygyius cf. also Diodorus, XVII. 81, 83; Arrian, III. 6, 5.
[33.] The name occurs as a love-name on the interior of an Attic cylix in the Metropolitan Museum of New York, signed by Hieron (480 B.C.), published in American Journal of Archaeology, XXVII. 274 (1923). Near a female figure dancing to the accompaniment of the double flute played by a satyr is the inscription, “Beautiful Rhodopis.” Cf. also Lucian, De Saltatione, 2.
[34.] Cf. Poulsen, Delphi, London, 1920, pp. 31, 72, 205, 294.
[35.] Edmonds’ first poetical translation is given in his Sappho in the Added Light of the New Fragments, p. 8; but he gives a revised prose version in the Classical Review, XXXIV. 5-6 (1920) and in Lyra Graeca, I, p. 207.
[36.] Solmsen in Rhein. Mus., LVI. 502, 1 (1901) gives arguments for the spelling with double p.
[37.] 599 c.