The chancel is lighted by four windows, two on each side, placed at about 14 feet above the ground. (See [Fig. 155.]) They are round headed, the circles being cut out of a single stone on the outside, but arched on the inside. The openings are 6 feet 6 inches high and 1 foot 10 inches wide, and have broad splays internally.
The building has a cornice at the wall-head, containing a series of simple corbels. A string course runs round the tower below the top story, and above it there is a belfry window on each face, about 3 feet wide by 8 feet 9 inches high. Each window is divided into two openings by a rounded centre shaft ([Fig. 158]), and there were round nook shafts at each side, but these have now fallen away. There are a few small openings on each face at different stages. The tower is crowned with a cornice, having two rows of simple corbels similar to those of the chancel cornice. On the east side there is an opening into the space which was covered by the chancel roof. The floors of the tower have been of timber, and there is one set-off in the inside of about 6 inches, at a height of about 64 feet. There was no access stair. At the north-west corner of the chancel, and at the wall-head level, there are two caps which have a very distinct appearance of being of first pointed date.
NORMAN ARCHITECTURE.
A general description of the features which distinguish this style of architecture has been given in the Introduction,[147] together with a short summary of the Scottish structures in the Norman style.[148] The more minute features will be referred to in the descriptions of the various churches. It may, however, be pointed out that few structures survive in Scotland which exhibit elevations of façades, such as the east and west fronts of churches, or the north and south façades of transepts, which show the true Norman character. In all Norman churches of any importance in other countries the façades forming the end elevations in the above positions are composed of several stories, piled up one above the other. (See [Fig. 17.]) In the later styles, the design of the façade is generally composed of one predominating feature, such as a large traceried window, or a series of lofty lancets (like the Five Sisters of York), rising above a single lower story, which generally contains a doorway. But in Norman architecture the façades are usually divided up into a series of stories, one over the other—an arrangement which, to a certain extent, fails to give the impression of one large structure, such as is conveyed in the façades of the later Gothic styles.
In Scotland proper there is only one building of magnitude in which this storied style is preserved—viz., the Abbey Church of Kelso. The same features may, however, be still observed in the façades of the transepts of Kirkwall Cathedral, Orkney. At St. Andrews Cathedral the original storied Norman east end was subsequently altered. In other large Norman churches, such as Dunfermline Abbey, the façades have been removed or altered. The smaller churches in the Norman style are not of sufficient height to give expression to this peculiarity.
It has been shown in the preceding chapter that some of our early Celtic structures were transitional, and contained some signs of the approach of the Norman style; but after its introduction, in the twelfth century, that style at once became universal in the civilised parts of the country, and all the churches of that date of which any portions survive were erected in accordance with the Norman fashion. It has been often remarked that the twelfth century was the great church-building epoch in Scotland, as elsewhere, and the number of these Norman edifices still traceable in the south and east of the country is very large.
The parish churches are generally small and aisleless, most of them being single oblong chambers, with an eastern chancel, sometimes with an eastern apse, and occasionally there was a western tower. St. Nicholas’, Aberdeen, was cruciform, and had a central tower.
During the Norman period monasticism prevailed, and almost all the large churches were conventual. These churches were always designed on the cruciform plan, and contained choir, nave, and north and south transept, each portion having side aisles, and the transepts usually only an eastern aisle. The small churches and side aisles were frequently vaulted, but the large churches appear to have been designed for wooden roofs.
The details and ornaments of the style are often very elaborate, and invariably correspond with those in use in England at, or rather earlier than, the corresponding period. In the early examples, the design was very simple, and ornament was sparingly used; but as time advanced the style was gradually enriched, until towards the close of the period the ornament became very elaborate, especially in the arched heads of doorways, as at Kelso, Jedburgh, and Dunfermline.
A common feature in Norman buildings was an arcade running round the walls below the windows. Almost every Norman structure of importance in Scotland contains this arcade, either in the interior or exterior, or both, and the caps and arches are generally elaborately and richly carved with ornaments. Here, and generally throughout Norman structures, the chevron or zig-zag enrichment is a characteristic feature. The other enrichments of the period in other countries consist of the billet, the bird’s beak, faceted sinkings, grotesque heads, rosettes, &c., all of which are found in the Scottish examples. The doorways are generally the points where the carving is richest, and it naturally followed that the doorways are often preserved where the other parts of the buildings are altered or rebuilt. The windows are always single, and simple in details.