A vaulting shaft is carried up between the piers. It springs from the pier caps, and is very small up to the triforium, where it thickens and runs up to the triforium caps, and above that point is carried up as a triple shaft to the cap which receives the springing of the vault.

The clerestory windows appear to have been built before the vaulting was arranged, seeing that they are placed very low in the red part of the wall. But when the vaulting was designed, it was found desirable to raise the walls so as to get proper height for the arches. This was done in whitish stone, and shows distinctly on the exterior, as above stated. A row of Norman corbels on the north side marks the original height of the clerestory wall. These corbels appear to have been moved from the Norman part of the choir, and inserted in their present position when the choir

Fig. 240.—Kirkwall Cathedral. East End of South Aisle of Choir.

was lengthened. A few corbels remain in their original position on the south side of the choir. The vaulting of the old part of the choir was also altered at the time when the new vaulting was built. The design of the extended choir aisles corresponds with that of the choir, and is very beautiful, though somewhat foreign in character. (See [Fig. 240.]) The ribs of the choir and aisle vaults have all bold sections of first pointed form.

The east end of the cathedral is of this period. The great east window (see [Fig. 234.]) fills the whole space available. This window, including its mouldings, measures (according to Sir H. Dryden) 37 feet 2½ inches by 16 feet 7½ inches. It is well designed, and has side shafts of first pointed form, while the tracery is perhaps a little more advanced. The great rose in the arch, which expands over the whole of the mullions and arches of the tracery, is (as pointed out by Sir H. Dryden) quite peculiar and unique. The three-arched recesses under the east window indicate that the altar stood free from the wall. On the exterior, the junction of the new buttresses with the old Norman ones is distinctly seen. (See [Fig. 230.]) The former are of red freestone, and project with water tables in stages, while the latter are flat and shallow. The side windows have plain splays in the jambs, and have no caps, one round-headed window on the south side has two lights, and a doorway is formed beneath it. A large base course goes round the choir and marks the new work. It is also continued round the transept chapels at a lower level. Besides the raising of the clerestory walls, above referred to, the aisle walls of the choir have also been raised. On the north side (see [Fig. 229.]) this is effected by leaving the old parapet and building a second parapet above it, while on the south side (see [Fig. 230.]) the old parapet has been removed and the wall heightened with red ashlar, and a new parapet placed at the higher level. Several square windows have been cut in the lower part of the north choir wall. These are modern, and are not shown in the sketch. Their object is to admit light under a gallery which has been inserted in the north aisle. The floor of the choir has been raised, and is now reached by several steps from the transept; but the steps to the sanctuary are believed to have been where shown on the plan. As already mentioned, the clerestory and vaulting of the six eastmost bays of the nave was probably executed soon after the choir was finished, the outer wall of the clerestory being built with the same whitish stone as the heightened part of the choir. The windows are small and of plain-pointed form, like those of the choir. Some of them have the appearance of having been cut up into the vaulting, as if they had been inserted or heightened after the vaulting was built. It is to be remarked that while the parapets of the nave and choir are on the same level on the exterior, the vaulting of the nave is several feet lower than that of the choir.

The three western doorways ([Fig. 241]) and the pointed doorway in the south transept (see [Fig. 231.]) must be assigned to a period rather later than the choir. The wall containing the three west doorways is built out