suffered from hostile invasion, and in consequence had to undergo considerable repairs, as will be pointed out in connection with the crossing and tower.
Fig. 364.—Jedburgh Abbey. South Side of Choir.
Notwithstanding the frequent harrying and damage it sustained, the fabric of the Abbey Church is still in a wonderful state of completeness, but the monastic buildings which stood on the south side of the church have been entirely swept away.
The church ([Fig. 363]), Plan) consists of a choir, with side aisles extending eastwards for two bays, beyond which was an aisleless presbytery, the east end of which is demolished; a nave of nine bays, which had vaulted side aisles (now greatly destroyed); a central crossing, with a square tower above; a north transept, well preserved; and a south transept, of which the south end is destroyed.
The choir and presbytery, as already mentioned, have been greatly damaged, and the east end is destroyed. It has been suggested that the choir may have terminated with an eastern apse, but of this there is no proof. What survives ([Fig. 364]) consists of the two bays next the crossing, the lower portions of which are in the Norman style. The main piers have the peculiarity of being carried up as massive cylindrical columns to the height of the arch over the triforium. This arrangement is unique in Scotland, but is not unknown in England. A somewhat similar design is carried out at Gloucester Cathedral, where the massive cylindrical piers are of great height, but they are not divided into two stories. At Romsey Church, Hampshire, however, the same arrangement occurs as at Jedburgh ([Fig. 365]), the tall round piers being divided by an intermediate arch, which supports the upper gallery or triforium.