Fig. 390.—St. Nicholas’ Church. Clerestory Window.
of such an arch reaching the roof without the necessity of undue gabling above the arch, and it further has the effect of giving a dignity and effect of separation to the apse which it would not have possessed with a pointed arch. Each compartment of the apse has a central boss, two of these are shown ([Fig. 394]). All the intermediate ribs spring from corbels at a lower level than the caps of the responds ([Fig. 395]), from which the separating arches spring, and the long diagonals of the centre compartment cut through these caps and rest on the notch formed in the centre of the wide diagonal respond at the opening to the apse (see [Fig. 392.]).
There is a considerable amount of carved woodwork—bench ends and backs of seats—in the crypt, some of the fifteenth or sixteenth century ([Fig. 396]), and some of a later period. These are probably part of the work done by John Ferdour, “wricht,” who, in 1507, contracted to make twenty-four stalls and other furniture “substanciusly and honourable as he may,” as they are begun, “and bettir gif he can” (p. 77).
The height from the present floor, which is about 18 inches above the original level, is 13 feet 4 inches to the centre rib and 7 feet to the top of the respond caps. The walls, being plastered, hide the wall ribs and any of the usual architectural features, if any such exist.
The choir so recently taken down superseded an older one.
Fig. 391.—Tablet in South Transept.