Fig. 1241.—Stirling Parish Church.
West Respond of Nave Arcade.
in ecclesiastic and domestic work) during the fifteenth century and onwards, viz., a tendency to imitate Norman and early pointed details. This tendency is also seen in the nave piers of Dunkeld Cathedral, in the piers and arches of the naves of Aberdour Church and Dysart Church, in the imitation of first pointed work in the late cloisters of Melrose, and many other examples which might be cited. But the later counterfeit is never perfect, there being always some touch of contemporary design which reveals the imitation. The two exceptional piers, above referred to as not being cylindrical, are the fourth piers (Fig. [1242]) from the west end (Fig. [1243]). These piers are composed of clustered shafts with moulded capitals, the upper members of which do not follow the contour of the piers, but sweep unbroken across the cap in the same manner as in the caps in
Fig. 1242.—Stirling Parish Church.
Piers in Nave in Fourth Bay from West End.
the choir (Fig. [1244]), and in those of the interior of the oriel windows in the great hall of Stirling Castle adjoining (Fig. [1245]), at Torphichen, and other late churches; and in the capitals of the clustered jambs of the hall fireplaces in many castles throughout the country. It will be observed from Fig. [1243] that the nave aisles are vaulted with groined arches, while the central nave has a wooden roof.
The Plan (see Fig. [1238]) shows that the two piers of the fifth bay from the west end of the nave consist of a semi-round attached to a square. These formed the west piers of the crossing. The next piers (the first in the choir) are, like the last, of large size, and suggest that a
