Fig. 1560.—Lauder Church. Plan.
The plan is a Greek cross having four equal arms extending from a central crossing. The latter is 14 feet square, and each arm is 28 feet 6 inches in length by 16 feet in width internally. The crossing is surmounted by four pointed arches, which spring from a massive pier at each angle, and carry the central tower. In the north-west and south-east angles of the arms there are introduced two entrance lobbies, giving access to the four arms and to staircases, leading to a gallery in each arm. The space on the ground floor below the galleries is low, and is lighted by two square windows in the end wall of each arm (Fig. [1561]), with moulded jambs and lintel, while each upper floor or gallery is lighted by means of a large pointed window in the gable, filled with plain intersecting tracery, with mullions and transoms.
The entrance doorways have round arches with hood moulding, and the side windows of the staircases are pointed. The external angles of the building and the outline of the windows are all finished with a broad fillet, projected so as to receive rough casting. The skews of the gables are plain and do not project, and the joints are horizontal. Each skew has a large projecting stone at bottom. These appear to have carried small pyramidal ornaments, two of which are still preserved.
Fig. 1561.—Lauder Church. View from North-West.
The central tower is square till it reaches the ridge of the main roofs, above which point it becomes octagonal, and is finished with a slated roof. A small round-headed window of a late style is inserted in four sides of the octagonal part or belfry.
The staircase buildings in the two angles do not appear to be parts of the original structure, or at least would seem to have been a good deal altered.
In the neighbourhood of Lauder is Thirlestane Castle,[242] the residence of the Duke of Lauder, well known in connection with the attempted introduction in the seventeenth century of Episcopacy into Scotland. It seems not unlikely that the quasi-Gothic character of the church may have been the result of his influence.