Vence is a very ancient city. It was the Ventium of Roman times, of which period numerous inscriptions and relics are preserved and built into the northern wall of the cathedral. In mediæval times Vence was originally the see of a bishop, but was afterwards joined to that of Fréjus. The town suffered the usual casualties from the attacks of the Saracens and assaults during the wars of
FIG. 236. PLAN OF VENCE CATHEDRAL.
religion. The cathedral, which is evidently very old, is supposed to have been rebuilt after the destruction of the original one by the Saracens in the ninth or tenth centuries. Owing to the simplicity of its style internally ([Fig. 235]), it has a most archaic appearance. Unfortunately, the exterior cannot be well seen in consequence of the chapels, houses, &c., which are built against it. Originally the church has consisted ([Fig. 236]) of a central nave 18 ft. 6 in. wide, with two side aisles each about 10 ft. wide. The chapels shewn projecting beyond the aisles are comparatively modern, and are lighted from the roof. The nave piers are (as regards design) simply portions of the side walls left standing, while the remainder is omitted so as to form round arched openings into the aisles. The side aisles are carried (as was often done) to a sufficient height to abut the central vault of the nave, and are divided into two storys—the upper story being a gallery—an arrangement very common in Lombardy and Germany. A more total absence of anything like ornament can scarcely be conceived. This plainness, taken in conjunction with the somewhat similar work at St Paul’s, seems to indicate that the design here owes its origin to the reign of the early Cistertian principles in the twelfth century. The choir and the tower at the north-east angle ([Fig. 237]) are evidently of a more recent date. The choir, with its circular apsidal termination, internally, converted into a square east end externally, is somewhat remarkable. It may be observed that the eastern termination of the churches of Antibes and St Paul are also square externally. There is a certain Italian character about the east end of Vence Cathedral with its single very small pointed window and its cornice enriched with modillions. The impost of the eastern door ([Fig. 236]) is also quite Italian, and judging from the style of this part of the church, it probably belongs to the thirteenth century.
The campanile adjoining the church likewise recalls those of the Italian cities. At Vence, as at Antibes, there are two such towers or keeps for defence, one being
FIG. 237. EAST END, VENCE CATHEDRAL.