his characters, [xxxii-xxxviii], [48], [64], [116], [117], [247];
his power over the passions, [48];
his sentiments, [49];
attention to prevailing taste, [49], [73], [103], [104];
plays upon words, [13], [73], [125], [126], [267];
anachronisms, [32], [56], [87], [124], [316];
his “magic,” [14], [15], [252-254];
the “original of our English tragical harmony,” [25], [140];