Forty Centuries of Ink / Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.

by David Nunes Carvalho

"There is likewise extant a couple of Norwegian Histories of good Authentic Credit; which explains a great many particulars relating to the Exploits of the Danish Kings in Great Britain, which our own Historians have either wholly omitted or very darkly recorded. The former of these was written soon after the year 1130, by one Theodoric a Monk, who acknowledges his whole Fabrick to be built upon Tradition, and that the old Northern History is no where now to be had save only ab Islendingorum antiquis Carminibus.

" 'Tis a very discouraging Censure which Sir William Temple passes upon all the Accounts given us of the Affairs of this Island, before the Romans came and Invaded it. The Tales (says he) we have of what pass'd before Caesar's Time, of Brute and his Trojans, of many Adventures and Successions, are cover'd with the Rust of Time, or Involv'd in the Vanity of Fables or pretended Traditions; which seem to all Men obscure or uncertain, but to be forged at pleasure by the Wit or Folly of their first Authors, and not to be regarded. And again; I know few ancient Authors upon this Subject (of the British History) worth the pains of perusal, and of Dividing or Refining so little Gold out of so much course Oar, or from so much Dross. But some other Inferiour People may think this worth their pains; since all Men are not born to be Ambassadors: And, accordingly, we are told of a very Eminent Antiquary who has thought fit to give his Labours in this kind the Title of Aurum, ex Stercore. There's a deal of Servile Drudgery requir'd to the Discovery of these riches, and such as every Body will not stoop to: for few Statesmen and Courtiers (as one is lately said to have observ'd in his own Case) care for travelling in Ireland, or Wales, purely to learn the Language.

"A diligent Enquirer into our old British Antiquities would rather observe (with Industrious Leland) that the poor Britains, being harass'd by those Roman Conquerours with continual Wars, could neither have leisure nor thought for the penning of a Regular History: and that afterwards their Back-Friends, the Saxons, were (for a good while) an Illiterate Generation; and minded nothing but Killing and taking Possession. So that 'tis a wonder that even so much remains of the Story of those Times as the sorry Fragments of Gildas; who appears to have written in such a Consternation, that what he has left us looks more like the Declamation of an Orator, hired to expose the miserable Wretches, than any Historical Account of their Sufferings."

Palgrave asserts that reading and writing were no longer mysteries after the pagan age, but were still acquirements almost wholly confined to the clergy.

The word "clericus" or "clerk," became synonymous with penman, the sense in which it is still most usually employed. If a man could write, or even read, his knowledge was considered as proof presumptive that he was in holy orders. If kings and great men had occasion to authenticate any document, they subscribed the "sign" of the cross opposite to the place where the "clerk" had written their name. Hence we say, to sign a deed or a letter.

Books (MSS.) were extremely rare amongst the Scandinavian and northern nations. Before their communication with the Latin missionaries, wood appears to have been the material upon which their runes were chiefly written: and the verb "write," which is derived from a Teutonic root, signifying to scratch or tear, is one of the testimonies of the usage. Their poems were graven upon small staves or rods, one line upon each face of the rod; and the Old English word "stave," as applied to a stanza, is probably a relic of the practice, which, in the early ages, prevailed in the West. Vellum or parchment afterwards supplied the place of these materials. Real paper, manufactured from the pellicle of the Egyptian reed or papyras, was still used occasionally in Italy, but it was seldom exported to the countries beyond the Alps; and the elaborate preparation of the vellum, upon which much greater care was bestowed than in the modern manufacture, rendered it a costly article; so much so, that a painstaking clerk could find it worth his while to erase the writing of an old book, in order to use the blank pages for another manuscript. The books thus rewritten were called "codices rescripti," or "palimpsests." The evanescent traces of the first layer of characters may occasionally be discerned beneath the more recent text which has been imposed upon them.

In Ireland, first known as the Isle of Saints, was founded in the seventh century a great school of learning which included writing and illuminating, which passed to the English by way of the monasteries created by Irish monks in Scotland. Their earliest existing MSS. are said to belong to that period. In the Irish scriptoriums (rooms or cells for writing) of the Benedictine monasteries where they were prepared, so particular were the monks that the scribes were forbidden to use artificial light for fear of injuring the manuscripts.

Most interesting and entertaining are the observations of Falconer Madan, a modern scholar of some repute. Of the history of writing in ink during the "Dark Ages" he says:

"In the seventh and eighth centuries we find the first tendency to form national hands, resulting in the Merovingian or Frankish hand, the Lombardic of Italy, and the Visigothic of Spain. These are the first difficult bands which we encounter; and when we remember that the object of writing is to be clear and distinct, and that the test of a good style is that it seizes on the essential points in which letters differ, and puts aside the flourishes and ornaments which disguise the simple form, we shall see how much a strong influence was needed to prevent writing from becoming obscure and degraded. That influence was found in Charles the Great.

"In the field of writing it has been granted to no person but Charles the Great to influence profoundly the history of the alphabet. With rare insight and rarer taste he discountenanced the prevalent Merovingian hand, and substituted in eclectic hand, known as the Carolingian Minuscule, which way still be regarded as a model of clearness and elegance. The chief instrument in this reform was Alcuin of York, whom Charles placed, partly for this purpose, at the head of the School of Tours in A. D. 796. The selection of an Englishman for the post naturally leads us to inquire what hands were then used in England, and what amount of English influence the Carolingian Minuscule, the foundation of our modern styles, exhibits.