Points. Curves.
Head from 1 to 2 (¹⁄₂)
Face 2 3 (¹⁄₃)
Neck 3 4 (¹⁄₅)
Shoulder 4 6 (¹⁄₆)
6 8 (¹⁄₄)
Trunk 9 15 (¹⁄₄)
21 24 (¹⁄₂)
Outer surface of thigh and leg 15 20 (¹⁄₆)
Inner surface of thigh and leg 25 30 (¹⁄₆)
Outer surface of the arm 8 33 (¹⁄₆)
Inner surface of the arm 9 36 (¹⁄₆)

Manner in which they are disposed in the outline (figure 2, [Plate XIX.]):—

Points. Curves.
Front of neck from 1 to 2 (¹⁄₆)
” trunk 2 10 (¹⁄₄)
Back of neck 16 18 (¹⁄₆)
” trunk 18 23 (¹⁄₄)
” ” 23 25 (¹⁄₃)
Front of thigh and leg 11 13 (¹⁄₄)
” ” ” 13 15 (¹⁄₆)
Back of thigh and leg 25 32 (¹⁄₆)
Front of the arm 33 37 (¹⁄₆)
Back of the arm 38 40 (¹⁄₆)
Foot 0 0 (¹⁄₆)

[Plate XX.]

In order to exemplify more clearly the manner in which these various curves appear in the outline of the figure, I give in [Plate XX.] the whole curvilinear figures, complete, to which these portions belong that form the outline of the sides of the head, neck, and trunk, and of the outer surface of the thighs and legs.

The various angles which the axes of these ellipses form with the vertical, will be found amongst other details in the works I have just referred to.

No. V.

At page [85] I have remarked upon the variety that may be introduced into any particular form of vase; and, in order to give the reader an idea of the ease with which this may be done without violating the harmonic law, I shall here give three examples:—

[Plate XXI.]