THE TALK OF THE FARO BANKERESS.
“Well, Monsieur Bigwig, the dancing teacher, you know of him. He was a Russian or a Prussian, or one of them people. Why, he has taught the children of all the kings in Europe—the little princesses; but he came to America and has three schools in New York and one in Brooklyn, and he is perfectly splendid. Dodworth isn’t nothing beside him for giving dancing lessons. Monsieur was a great friend of Lulu’s, and showed her a great deal of attention, and paid her a great many compliments. When a new pupil came in he used to take Lulu and dance with her to show the new one the step, Lulu danced so prettily, and was altogether too sweet for anything. And at his ball he had one tableau of four little girls representing Spring, Autumn, Summer, and Winter, and he came to my house and gave me the choice of characters for dear Lulu. I remember he came to the house to do it, because he took dinner with us that day, and my husband lent him fifty dollars. Well, I selected ‘Winter’ for Lulu, for I could dress her warmer in that character than in any of the others, and the dear child is delicate; she is so spirituelle, and I had for her a costume which was altogether too sweet for anything. She had on a dress—”
“Oh heavens! do look at that beautiful valley,” exclaimed the unwilling listener.
There was a valley spread out before us, so entirely perfect in its soft loveliness that it was worth a voyage across the Atlantic to see it. The faro bankeress glanced out of the window, and with the remark, “It’s altogether too lovely for anything,” went on without a moment’s pause:—
“I had a dress made of a white material that represented ice, with little balls of white down to represent snow balls all over it, and furs, the edges trimmed with down, and a little crown upon her head, with points like icicles, and the same things tacked onto the bottom of her outer skirt, and her hair powdered so as to be like snow, and she was the Ice Queen, and had a retinoo of ice men, twelve little boys with ice axes, and she was drawn in on a sled by two boys dressed like reindeers, and in front of the reindeers was two little boys dressed like bears, and it was altogether too sweet for anything. I don’t know how the other little girls were dressed, but everybody looked at Lulu; and then, after they four had made the circuit of the Academy (it was all floored over), they formed in the center and danced a dance which Monsieur had arranged for them, and Lulu danced too sweet for anything. Everybody said to me that she was the sweetest little girl in the ball. Where did you get that lace? I got some in Paris last year; we go abroad every year; we are tired of Saratoga; we have been going there so long that it is an old story, and then you have to meet all sorts of people there, and I don’t like it. I don’t suppose it is just right, but I do wish we could have a monarchy, so that the better classes could be more select. That lace was altogether the sweetest thing I ever saw, and it cost less than half it would in New York, and then—”