“ ‘I perpose to hev the boy stand on the stage in full view uv the awjence, and to shoot the apple off his head under their very eyes. It’s a big thing.’
“ ‘Big thing! I should say so. But you can’t shoot an apple with an arrer. You couldn’t hit the side of a barn.’
“ ‘Very good, but this is my idear. We only play Tell at night. We stretch a wire across the stage jes the height of the boy, and the wire runs through the apple on the boy’s head. Then I hev a loop fixed onto the arrer, and when I shoot it runs along the wire—see?—and knocks the apple into smithereens. It’s a big notion.’
“It occurred to me that it wood be a good piece of biznis and I agreed to it. My youngest boy, Sam, alluz played the boy, and De Lacy and I fixed the riggin’ and hed it all right. To make it more realistic De Lacy hed a very broad-headed arrer made so that the awjence should see it wuz reel, and everythin’ wuz ready. When that scene come on, the boy come out walkin’ very keerful—we hed the apple fixed tight upon his head so that ef he walked in a strate line it wooden’t be moved, and he wuz placed. After the speeches De Lacy sprung the bow, and let the arrer drive with all the force it hed.”
“It must have been a thrilling scene.”
“Thrillin'! Yoo bet! But we didn’t repeat it. Bekaze yoo see the wire slackened, and the arrer struck Sam on the top uv the head and scalped him as clean as a Camanche Injun cood hev done it, and he howled and jumped onter De Lacy and the wire tore down the two wings it wuz hitched onter, and De Lacy in gittin’ rid uv him tore down the rest uv the wings, and they clinched and rolled down onto the stage, and the awjence got up and howled, and the peeple all rushed on, and there wuz about ez lively a scene ez I ever witnessed in a long and varied experience. It wuz picteresk and lurid. I rung the curtain down and separated ’em. It wuz a good idear, but it didn’t jes work, owin’ to defective machinery.”
