Gisors itself existed before the tenth century; but its chief celebrity was due to William Rufus, who, anxious to strengthen his frontiers against the power of the kings of France, caused Robert of Bellême to erect this castle, in 1097. Thus then we have a certain date; and there is no reason to believe, but that the whole of what is left us is really of the same æra, or of the following reign, in which it is known that the works were greatly augmented; for Henry Ist was completely a castle-builder. He was a prince who spared no pains in strengthening and defending the natural frontiers of his province, as the fortresses of Verneuil, Tillières, Nonancourt, Anet, Ivry, Château-sur-Epte, Gisors, and many others, abundantly testify. All these were either actually built, or materially strengthened by him.--This at Gisors, important from its strength and from its situation, was the source of frequent dissentions between the sovereigns of England and France, as well as the frequent witness of their plighted faith, and the scene of their festivities.--In 1119, a well-known interview took place here, between Henry Ist and Pope Calixtus IInd, who had travelled to France for the purpose of healing the schisms in the church, and who, after having accomplished that task, was desirous not to quit the kingdom till he had completed the work of pacification, by reconciling Henry to Louis le Gros, and to his brother, Robert. The speech of our sovereign upon this occasion, as recorded by Ordericus Vitalis[[25]], is a valuable document to the English historian: it sets forth, at considerable length, his various causes of grievance, whether real, imaginary, or invented, against the legal heir to our throne.--After a lapse of thirty-nine years, Louis le Jeune succeeded in annexing Gisors to the crown of France; but he resigned it to our Henry IInd, only three years subsequently, as a part of the marriage portion of his daughter, Margaret. It then remained with our countrymen till the conquest of the duchy by Philip Augustus; previously to which event, that sovereign and Henry met, in the year 1188, under an elm near Gisors, on the road to Trie, upon receiving the news of the capture of Jerusalem by the Sultan Saladin[[26]]. The monarchs, actuated by religious zeal, took up the cross, and mutually pledged themselves to suspend for a while their respective differences, and direct their united efforts against the common foe of the christian faith, Legends also tell that, during the conference, a miraculous cross appeared in the air, as if in ratification of the compact; and hence the inhabitants derive the armoria bearing of the town; gules, a cross engrailed or[[27]]. In 1197, Philip embellished Gisors with new buildings; and he retired hither the following year, after the battle of Courcelles, a conflict, which began by his endeavor to surprise Richard Coeur-de-Lion, but which ended with his total defeat. He had well nigh lost his life during the flight, by his horse plunging with him, all armed as he was, into the Epte.--He took refuge in Gisors; and the golden gate of the town commemorated his gratitude. With eastern magnificence, he caused the entire portal to be covered with gold; and the statue of the Virgin, which surmounted it, received the same splendor.

During the wars between France and England, in the fifteenth century, Gisors was repeatedly won and lost by the contending parties. In later and more peaceable times, it has been only known as the provincial capital of the bailiwick of Gisors, and of the Norman portion of the Vexin.

The castle consists of a double ballium, the inner occupying the top of a high artificial mound, in whose centre stands the keep. The whole of the fortress is of the most solid masonry. Previously to the discovery of cannon, it could scarcely be regarded otherwise than as impregnable, for the site which it occupies is admirably adapted for defence; and the walls were as strong as art could make them.--The outer walls were of great extent: they were defended by two covered ways, and flanked by several towers, of various shapes.--In the inclosed sketch, you will observe a circular tower, which is perhaps more perfect than any of the rest. The two entrances which led to the inner wards, were defended by more massy towers, strengthened with portcullises and draw-bridges.

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The conical mound is almost inaccessible, on account of its steepness. The summit is inclosed by a circular wall of considerable height, pierced with loop-holes, and strengthened at regular intervals with buttresses, most of which are small and shallow, and resemble such as are found in the Norman churches. Those, however, which flank the entrance of the keep, are of a different character: they project so boldly, that they may rather be considered as bastions or solid turrets.--The dungeon rises high above all the rest, a lofty octagon tower, with a turret on one side of the same shape, intended to receive the winding staircase, which still remains, but in so shattered a state, that we could not venture to ascend it. The shell of the keep itself is nearly perfect, and is also varied in its outline with projecting piers.--Within the inner ballium, we discovered the remains of the castle-chapel. More than half, indeed, of the building is destroyed, but the east end is standing, and is tolerably entire. The roof is vaulted and groined: the groins spring from short pillars, whose capitals are beautifully sculptured with foliage; The architecture of the whole is semi-circular; but I should apprehend it to be posterior to any part of the fortress.--The inside of the castle serves at this time for a market-hall: the fosse, now dry and planted with trees, forms a delightful walk round the whole.

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We were much disappointed by the church of Gisors; in the illustration of the details of which, Millin is very diffuse. The building is of considerable magnitude; its proportions are not unpleasing, and it contains much elaborate sculpture; but the labor has been ill bestowed, having been lavished without any attention to consistency. It is throughout a jumble of Roman and Gothic, except that the exterior of the north transept is wholly Gothic. Some of the little figures which decorate it are very gracefully carved, especially in the drapery. A pillar in the south aisle, entwined by spiral fillets, is of great singularity and beauty. The dolphin is introduced in each pannel, and the heraldic form of this fish harmonizes with the gentle curve of the field upon which it is sculptured. A crown of fleurs-de-lys surrounds the columns at mid-height. These symbols, as I believe I observed on a former occasion, are often employed as ornaments by the French architects. The church, which is dedicated to the twin saints, St. Gervais and St. Protais, is the work of different æras, but principally of the latter half of the sixteenth century, a time when, as a Frenchman told me, "l'on commença à bâtir dans le beau style Romain."--The man who made the observation was of the lower order of society, one of the swinish multitude, who, in England, never dream about styles in architecture. I mention the circumstance, for the sake of pointing out the difference that exists in these matters between the two countries.

Here, every man, gentle or simple, educated or uneducated, thinks himself qualified and bound to deliver his opinion on objects connected with the fine arts; and though such opinions are of necessity commonly crude, and sometimes absurd, they, on the other hand, frequently display a degree of feeling, and occasionally of knowledge, that surprises you. It may be true indeed, as Dr. Johnson said, with some illiberality, of our brethren across the Tweed, that though "every man may have a mouthful, no one has a belly full;" but it still marks a degree of national refinement, that any attention whatever is bestowed upon such subjects. This smattering of knowledge, accompanied with the constant readiness to communicate it, is also agreeable to a stranger. Except in a few instances at Rouen, I never failed to find civility and attention among the French. To the ladies of our nation they are uniformly polite though occasionally their compliments may appear of somewhat a questionable complexion; as it happened to a female friend of mine to be told, while drawing the church of St, Ouen, "qu'elle avait de l'esprit comme quatre diables."