Falaise appeared but the more beautiful, from the impression which the desolate scenery of the previous country had left upon our minds. The contrast was almost equally pleasing and equally striking, as when, in travelling through Derbyshire, after having passed a tract of dreary moors, that seems to lengthen as you go, you suddenly descend into the lovely vallies of Matlock or of Dovedale. Not that the vale of Falaise may compete with those of Derbyshire, for picturesque beauty or bold romantic character; but it has features exclusively its own; and its deficiency in natural advantages is in some measure compensated, by the accessories bestowed by art. The valley is fertile and well wooded: the town itself, embosomed within rows of lofty elms, stretches along the top of a steep rocky ridge, which rises abrupt from the vale below, presenting an extensive line of buildings, mixed with trees, flanked towards the east by the venerable remains of the castle of the Norman Dukes, and at the opposite extremity, by the church of the suburb of Guibray, planted upon an eminence. Near the centre stands the principal church of Falaise, that of St. Gervais; and in front of the whole extends the long line of the town walls, varied with towers, and approached by a mound across the valley, which, as at Edinburgh, holds the place of a bridge.
The name Falaise, denotes the position of the town: it is said to be a word of Celtic origin; but I should rather suppose it to be derived from the Saxon, and to be a modification of the German word, fels, a rock, in which conjecture I find I am borne out by Adelung: falesia, in modern Latinity, and falaise, in French, signify a rocky shore. Hence, Brito, at the commencement of his relation of the siege by Philip Augustus, says,
"Vicus erat scabrâ circumdatus undique rupe,
Ipsius asperitate loci Falæsa vocatus,
Normannæ in medio regionis, cujus in altâ
Turres rupe sedent et mœnia; sic ut ad illam
Jactus nemo putet aliquos contingere posse."--
The dungeon of Falaise, one of the proudest relics of Norman antiquity, is situated on a very bold and lofty rock, broken into fantastic and singular masses, and covered with luxuriant vegetation. The keep which towers above it is of excellent masonry: the stones are accurately squared, and put together with great neatness, and the joints are small; and the arches are turned clearly and distinctly, with the key-stone or wedge accurately placed in all of them. Some parts of the wall, towards the interior ballium, are not built of squared free-stone; but of the dark stone of the country, disposed in a zigzag, or as it is more commonly called, in a herring-bone direction, with a great deal of mortar in the interstices: the buttresses, or rather piers, are of small projection, but great width. The upper story, destroyed about forty years since, was of a different style of architecture. According to an old print, it terminated with a large battlement, and bartizan towers at the angles. This dungeon was formerly divided into several apartments; in one of the lower of which was found, about half a century ago, a very ancient tomb, of good workmanship, ornamented with a sphynx at each end, but bearing no inscription whatever. Common report ascribed the coffin to Talbot, who was for many years governor of the castle; and at length an individual engraved upon it an epitaph to his honor; but the fraud was discovered, and the sarcophagus put aside, as of no account. The second, or principal, story of the keep, now forms a single square room, about fifty feet wide, lighted by circular-headed windows, each divided into two by a short and massy central pillar, whose capital is altogether Norman. On one of the capitals is sculptured a child leading a lamb, a representation, as it is foolishly said, of the Conqueror, whom tradition alleges to have been born in the apartment to which this window belonged: another pillar has an elegant capital, composed of interlaced bands.
Connected with the dungeon by a stone staircase is a small apartment, very much dilapidated, but still retaining a portion of its original facing of Caen stone. It was from the window of this apartment, as the story commonly goes, that Duke Robert first saw the beautiful Arlette, drawing water from the streamlet below, and was enamoured of her charms, and took her to his bed.--According to another version of the tale, the earliest interview between the prince and his fair mistress, took place as Robert was returning from the chace, with his mind full of anger against the inhabitants of Falaise, for having presumed to kill the deer which he had commanded should be preserved for his royal pastime. In this offence the curriers of the town had borne the principal share, and they were therefore principally marked out for punishment. But, fortunately for them, Arlette, the daughter of one Verpray, the most culpable of the number, met the offended Duke while riding through the street, and with her beauty so fascinated him, that she not only obtained the pardon of her father and his associates, but became his mistress, and continued so as long as he lived. From her, if we may give credence to the old chroniclers, is derived our English word, harlot. The fruit of their union was William the Conqueror, whose illegitimate birth, and the low extraction of his mother, served on more than one occasion as a pretext for conspiracies against his throne, and were frequently the subject of personal mortification to himself.--The walls in this part of the castle are from eight to nine feet thick. A portion of them has been hollowed out, so as to form a couple of small rooms. The old door-way of the keep is at the angle; the returns are reeded, ending in a square impost; the arch above is destroyed.