Humanistic Studies of the University of Kansas, Vol. 1

by De Witt Clinton Croissant; Edmund Dresser Cressman; Pearl Hogrefe; Arthur Mitchell

• Abt Vogler, [14], [15], [23], [25], [26], [36], [48], [49], [53], [58], [64]
• Academy of Fine Arts, Venice, [62]
• Ademollo, Luigi, [71]
• Agamemnon, [14]
• Albani, [71]
• Alcamo (in Sordello), [29], [30], [31], [60]
• Andrea del Sarto, [27], [42], [43], [44], [45], [46], [47], [48], [49], [53], [64], [70]
• “Andromeda,” Caravaggio’s, [41], [44], [66], [67]
• Any Wife to Any Husband, [44], [69]
• Apparent Failure, [60]
• Aprile (in Paracelsus), [29], [30], [31], [60]
• Aretino, Pietro, [29], [33], [61]
• Aristophanes’ Apology, [14]
• Augustus, a bust by Browning, [12]
• Baldovinetti, [69]
• Bandinelli, Baccio, [15], [21], [57]
• Bazzi, Giovanni Antonio, [45], [48], [72]
• Beatrice Signorini, [41], [44], [45], [46]
• Beccafumi, [66], [72]
• Beethoven, [10]
• Bellini, Vincenzo, [23], [24], [25], [27], [58]
• Bernini, [15], [57]
• Bishop Blougram’s Apology, [26], [27], [36], [44], [58], [64], [70]
• Bishop orders his Tomb, The, [16], [17], [18], [19], [22], [36], [38], [49], [50], [57], [62]
• Bocafoli (in Sordello), [29], [30], [31], [53], [60]
• Boccaccio, [29], [32], [33], [60], [61]
• “Bocca-dell’-Verita,” [15], [21], [58]
• Botticelli, [68]
• Boy and the Angel, The, [36], [62]
• Browning, Elizabeth Barrett, [10], [11], [12], [13], [26], [34], [41], [42], [43], [49], [61]
• Browning, Wiedemann, [10], [11]
• Buononcini, Giovanni Battista, [23], [25], [59]
• Buti, [73]
• Byron, Lord, [23], [38]
• By the Fireside, [9], [36], [63]
• Campanile, The, Florence, [35], [36], [43], [63]
• Canova, [12], [15], [18], [22], [56], [57], [62]
• Caravaggio, [41], [44], [66], [67], [68]
• Carracci, Annibale, [12], [67]
• Castle Angelo, [61]
• Catholic Hymns, [23–24], [59]
• Cenciaja, [45], [73]
• Chapel near Bagni di Lucca, [63];
• at Fano, [63];
• at Florence, [64]
• Charles Avison, Parleyings with, [25], [26], [45], [48], [59]
• Christina and Monaldeschi, [73]
• Christmas-Eve and Easter-Day, [9], [16], [17], [20], [22], [36], [38], [50], [57], [63], [68]
• Christopher Smart, Parleyings with, [45], [73]
• Churches, Italian:
• Il Gesu, [57], [63];
• Ognissanti, [63];
• Pieve at Arezzo, [37], [65];
• Possagno, [57], [62];
• St. Francis, [61];
• St. Mark’s, [36], [61], [62], [63], [66];
• St. Peter’s, [36], [38], [39], [50], [62], [63], [64];
• S. Ambrogio, [47], [64], [70];
• S. Bernardino, [66];
• S. Empoli, [63];
• S. Eufemia, [62];
• S. Evola, [63];
• S. Felice, [64];
• S. Frediano, [66];
• S. Giovanni, [65];
• S. Lorenzo, [36], [58], [64], [65], [66], [71];
• S. Miniato, [61], [63], [64];
• S. Maria della Scala, [63];
• S. Maria del Carmine, [64];
• S. Maria in Cosmedin, [58];
• S. Pietro Martire, [61];
• S. Pressede (St. Praxed’s), [19], [38], [62];
• S. Romano, [63];
• S. Sano, [66];
• S. Spirito, [63]
• Cimabue, [40], [42], [66], [68]
• Claus of Innsbruck (in My Last Duchess), [15], [19], [57]
• Convent, at Florence, [64];
• Vallombrosa, [65], [72]
• Corelli, Arcangelo, [23], [25], [59]
• Correggio, [12], [40], [44], [67], [70], [71], [72];
• his “Jerome”, [70], [72];
• “Leda”, [71], [72]
• “Crucifixion”, Guido’s, [37], [71]
• Dante, [29], [32], [33], [34], [60], [61]
• “David”, Domenichino’s, [12]
• Da Vinci, Leonardo, [12], [40], [44], [67], [68], [70], [71], [72], [73];
• “Mona Lisa”, [71]
• Decameron, The, [33], [60], [61]
• Dello di Niccolo Delli, [40], [68]
• De Vulgario Eloquio, [32]
• Divine Comedy, The, [32]
• Dolci, Carlo, [69]
• Domenichino, [12]
• Dore, Gustave, [45]
• Dramatic Monologue, Use of, [49]
• Dulwich Gallery, [10], [11]
• Duomo, The, at Arezzo, [65];
• at Asolo, [62];
• at Florence, [36], [63];
• at Padua, [62];
• at Siena, [66]
• Dvorak, Antonin, [25]
• “Eager Duke, The”, (in In a Gondola), [67]
• Eastlake, Sir Charles, [13]
• Eglamor (in Sordello), [29], [30], [60]
• Elegy on Newstead Abbey, Byron’s, [38]
• Englishman in Italy, The, [24], [58]
• Epistle of Karshish, An, [14]
• Face, A, [45], [49], [71]
• Fauveau, Mme. de, [11]
• Fenice Theatre, Venice, [62]
• Ferdinand, Statue of Duke, [15], [20], [57]
• Ferishtah’s Fancies, [14]
• Ferri, Ciro, [45], [71]
• Fifine at the Fair, [45], [48], [66], [72]
• Filippo Baldinucci, [44], [45], [46], [49], [66], [73]
• Fisher, Mr., [11]
• Flight of the Duchess, The, [9]
• Fountain of the Tritons, [15], [21], [57]
• Fra Angelico, [69], [70], [72]
• Fra Lippo Lippi, [14], [15], [36], [42], [44], [45], [46], [47], [48], [49], [53], [64], [68], [69], [70]
• Francis Furini, Parleyings with, [45], [46], [53], [66], [73]
• Fungaio, [72]
• Fuseli, [73]
• Gaddi, Taddeo, [35], [69]
• Galuppi, Baldassaro, [23], [27], [58]
• Geminiani, Francesco, [23], [25], [59]
• Ghiberti, Lorenzo, [15], [57]
• Ghirlandajo, [42], [43], [68]
• Gibson, John, [11]
• Giorgione, [67]
• Giordano, Luca, [45], [67], [71]
• Giorno di Regno, Un, Verdi’s, [27]
• Giottino, [42]
• Giotto, [35], [39], [42], [63], [69], [70], [72]
• Giovanni da Bologna (John of Douay), [15], [57]
• Goito Castle, [20], [38], [61]
• Gold Hair, [14]
• Grisi, Giulia, [23], [25], [27], [59]
• Guardian Angel, The, [42], [43], [45], [49], [63], [69]
• Guarnerius (Joseph del Jesu), [23], [25], [59]
• Guercino, [12], [43], [69]
• Guido of Siena, [66]
• Handel, George Frederick, [25], [59]
• Haworth, Miss, [11], [12], [22]
• Herakles, [14]
• Horne, R. H., [13], [42]
• Hosmer, Harriet, [11]
• How it Strikes a Contemporary, [29], [69]
• In a Gondola, [36], [62], [67]
• Inn Album, The, [61]
• Inside of the King’s College Chapel (Wordsworth), [38]
• In the Cathedral at Cologne (Wordsworth), [38]
• In Three Days, [44], [69]
• Italian in England, The, [36], [62]
• James Lee’s Wife, [44], [71]
• Jameson, Mrs., [12], [42]
• “John of the Black Bands,” statue of, [15], [57]
• Jules (in Pippa Passes), [15], [18], [44], [50], [57]
• Keats, [9]
• Kenyon, Frederick G., [10], [37], [43]
• Kirkup, Mr., [11], [42]
• Kugler, Franz, Handbook of the History of Art, [13]
• Lady and the Painter, The, [20]
• Lateran, The, [66]
• Leighton, Frederick, [11], [28], [36]
• Lippi, Filippino, [40], [64], [68]
• Liszt, Franz, [25]
• Luria, [14], [36], [63]
• Madonna, Raphael’s, [44], [53]
• Magdalen (In a Gondola), [67]
• Maratta, Carlo, [44], [45], [71]
• Margheritone, [69]
• Marino, [29], [61]
• Mary Wollstonescraft and Fuseli, [73]
• Masaccio, Guidi, [47], [64], [70]
• Master Hugues of Saxe-Gotha, [23], [25], [26], [49], [58]
• Memorabilia, [32], [34]
• Men and Women, [12]
• Merry Tales, Sacchetti’s, [33]
• Michael Angelo, [27], [40], [43], [45], [48], [53], [62], [64], [65], [68], [70], [71], [72], [73]
• Michael, Raphael’s, [44], [70]
• Monaco, Lorenzo, [69], [70]
• Monastery, Certosa, [65];
• of the Convertites, [65], [66];
• of St. Anna, [65]
• My Last Duchess, [15], [16], [17], [18], [19], [22], [49], [57], [67]
• Neptune, (statue in My Last Duchess), [19], [57]
• Nina (in Sordello), [29], [30], [31], [60]
• Old Abbeys (Wordsworth), [38]
• Old Pictures in Florence, [15], [16], [17], [22], [35], [36], [39], [40], [42], [43], [45], [49], [50], [52], [57], [60], [63], [68]
• One Word More, [29], [32], [36], [42], [45], [49], [60], [64], [70]
• Orgagna, [69]
• Orr’s, Mrs., Life of Browning, [10], [11], [41]
• Pacchia, [66], [72]
• Pacchiarotto, [36], [45], [46], [53], [66], [72]
• Paganini, Niccolo, [23], [25], [27], [59]
• Page, William, [11]
• Palace, Antinori, [63];
• Ducal, Venice, [61];
• Fiano, [64];
• Medici, [64];
• Pulci, [62];
• Riccardi, [64];
• Ruspoli, [64], [65];
• Via Larga, [65]
• Palestrina, [23], [58]
• Pandolf, Fra (in My Last Duchess), [67]
• Paracelsus, [29], [30], [31], [42], [60]
• Pasquin’s statue, [15], [21], [58]
• Pauline, [9], [29], [30], [32], [34], [41], [44], [66]
• Petrarch, [29], [32], [60], [61]
• Pheidippides, [14]
• Pictor Ignotus, [42], [45], [46], [49], [53], [68]
• “Pieta”, Canova’s, [15], [57]
• Pietro d’ Abano, [66]
• Pietro da Cortona, [45], [71]
• Pippa Passes, [9], [15], [16], [17], [18], [19], [22], [36], [42], [44], [50], [56], [62], [67]
• Pisano, Giovanni, [15], [16], [17], [56], [68]
• Pisano, Niccolo, [15], [16], [17], [56], [57], [68]
• Plara (in Sordello), [29], [30], [31], [53], [60]
• Pollajola, Antonio, [40], [69]
• Ponte dell’ Angelo, Venice, [66]
• Powers, Hiram, [11], [28]
• Primaticcio, [73]
• “Prim Saint” (in In a Gondola), [67]
• Prince Hohenstiel-Schwangau, [72]
• “Psiche-fanciulla”, Canova’s, [15], [57]
• Psyche, a bust by Browning, [12]
• Raphael, [27], [40], [43], [44], [45], [48], [53], [68], [70], [71], [72], [73]
• Red Cotton Night-Cap Country, [25], [45], [59], [72]
• Reni, Guido, [12], [43], [65], [67], [69], [70], [71]
• Ring and the Book, The, [12], [14], [16], [20], [21], [22], [24], [33], [36], [37], [38], [40], [44], [45], [53], [57], [58], [59], [60], [64], [65], [71]
• Romanelli, [46], [47]
• Romano, Giulio, [44], [70]
• Rossetti, W. M., [47]
• Rossini, [23], [25], [27], [28], [58]
• Sacchetti, Franco, [29], [33], [34], [53], [60]
• St. George, Vasari’s, [71]
• Salvator Rosa, [72]
• Saul, [23]
• Schidone, [67]
• Ser (a picture), [67]
• Ser Giovanni, [65]
• Shelley, [9], [30], [32], [34], [48]
• Sonnet on Chillon, Byron’s, [38]
• Sordello, [12], [16], [17], [20], [21], [22], [29], [30], [31], [32], [34], [36], [37], [38], [42], [44], [53], [56], [60], [61], [66]
• Soul’s Tragedy, A, [18], [29], [60]
• Statue and the Bust, The, [16], [17], [20], [22], [36], [38], [52], [57], [63]
• Stefano, [40], [68]
• Stiatta (in A Soul’s Tragedy), [29], [60]
• Story, W. W., [11], [12], [28]
• Stradivarius, Antonius, [23], [25], [59]
• Strafford, [29]
• Tasso, Torquato, [29]
• Technical Art Terms, Browning’s use of, [21], [26]
• Time’s Revenges, [32], [60]
• Titian, [40], [44], [67], [72], [73];
• “Annunciation,” [67];
• “Venus,” [44], [69]
• Toccata of Galuppi’s, A, [23], [25], [26], [36], [49], [58], [63]
• Tommaseo, Niccolo, [29], [34], [61]
• Tordinona, [65]
• Towers of Florence, [63]
• Trovatore, Il, Verdi’s, [26], [58]
• Two Poets of Croisic, The, [14]
• Up at a Villa, [32], [60]
• Vallombrosa Convent, [65], [72]
• Vasari, Giorgio, [13], [42], [44], [70]
• Vatican, The, [36], [64], [65], [70];
• Sistine Chapel, [65]
• Verdi, Giuseppe, [23], [25], [26], [27], [58]
• Vita Nuova, La, [32]
• Wagner, Richard, [25]
• Waring, [44], [68]
• Wilde, Mr., [11]
• Wordsworth, [9], [38], [48]
• Youth and Art, [25], [59]

FOOTNOTES:

[163] Mrs. Sutherland Orr’s Life of Browning, revised by Frederick G. Kenyon.

[164] Mrs. Orr: op. cit.

[165] For the sources and nature of this interest, see below, Chapter II and p. 50.

[166] Bavarian by birth, Abt Vogler was ordained a priest at Rome, and played in that city for years. His significance in musical history seems associated with Italy rather than Bavaria.

[167] See An Epistle of Karshish; Ferishtah’s Fancies.

[168] See Pheidippides; Aristophanes’ Apology; Herakles; Agamemnon.

[169] See Gold Hair, A Story of Pornic; The Two Poets of Croisic.