But Delsarte knew that without a voice he must renounce the stage, and yielding to the inevitable, he gave up the role of the actor to assume the functions of the professor. After his own shipwreck upon a bark without pilot or compass, he summoned up courage to search into the laws of an art which had hitherto subsisted only upon caprice and personal inspiration.

After several years of diligent study, he discovered and formulated the essential laws of all art; and, thanks to him, æsthetic science in our day has the same precision as mathematical science. He had numerous pupils, many of whom have become distinguished in various public careers--in the pulpit, at the bar, on the stage, and at the tribune.

Madame Sontag, when she wished to interpret Gluck's music, chose Delsarte for her teacher. Rachel drew inspiration from his counsels, and he became her guardian of the sacred fire. He was urgently solicited to appear with her at the Théâtre-Français, but religious scruples led him to refuse the finest offers.

Madame de Giradin (Delphine Gay), surnamed the Muse of her country, welcomed him gladly to her salon, then the rendezvous of the world of art and letters, and regretted not seeing him oftener. He was more than once invited to the literary sessions of Juilly college, and, under the spell of his diction, the pupils became animated by a new ardor for study.

Monseigneur Sibour had great esteem and affection for Delsarte, and made him his frequent guest. It was in the salon of this art-loving archbishop that Delsarte achieved one of his most brilliant triumphs. All the notable men of science had gathered there, and the conversation took such a turn that Delsarte found opportunity to give, without offence, a challenge in these two lines of Racine:

L'onde approche, se brise, et vomit à nos yeux,
Parmi des flots d'écume, un monstre furieux.

("The wave draws near, it breaks, and casts before our eyes,
Amid the floods of foam, a monster grim and dire.")

"Please tell me the most emphatic and significant word here," said Delsarte.

All reflected, sought out and then gave, each in turn, his chosen word. Every word was selected save the conjunction et (and). No one thought of that.

Delsarte then rose, and in a calm and modest, but triumphant tone, said: "The significant, emphatic word is the only one which has escaped you. It is the conjunction and, whose elliptic sense leaves us in apprehension of that which is about to happen." All owned themselves vanquished, and applauded the triumphant artist.

Donoso Cortés made Delsarte a chosen confidant of his ideas. One day, when the great master of oratorical diction had recited to him the Dies Irae, the illustrious philosopher, in an access of religious emotion, begged that this hymn might be chanted at his funeral. Delsarte promised it, and he kept his word.