If brow and voice are elevated, the expression is usually mild, amiable and affectionate.
If the voice is raised and the brow lowered, the form is doubtful and suspicious. With the brow concentric, the hand is repellent.
Both brow and hand concentric denote repulsion or retention; this is always the case with a door.
Both brow and hand eccentric mean inspiration, or allowing departure without concern.
There is homogeneity between the face, the eyebrow and the hand.
The degree and nature of the emotion must be shown in the face, otherwise there will be only grimace.
The hand is simply another expression of the face. The face gives the hand its significance. Hand movements without facial expression would be purely automatic. The face has the first word, the hand completes the sense. There are eighty-one movements of the hand impossible to the face; hence, without the hand, the face cannot express everything. The hand is the detailed explanation of what the face has sought to say.
There are expressions of the hand consonant with the facial traits, and others dissonant: this is the beautiful.
The weak hand and the strong face are the sign of impotence.
The weak hand and the strong face are the sign of perfidy.