By a simple movement of the shoulder, he can make infinitely more impression than with all the outward gestures which are almost always theatrical, and not of a convincing sort.
The shoulder, we have said, is the thermometer of emotion and of love. The movement is neutral and suited to joy as well as to sorrow; the eyes and mouth are present to specify it.
The shoulder, like all the agents, has three and hence nine distinct phases.
The torso is divided into three parts: the thoracic, the epigastric and abdominal.
We shall state farther on, the rôle of these three important centres.
Liars do not elevate their shoulders to the required degree, hence the truth or falsity of a sentiment may be known.
Raphael has forgotten this principle in his "Moses Smiting the Rock." None of his figures, although joyous, elevate the shoulder.
Chapter VII.
Of The Limbs.
The limbs hold an important place in oratorical action.
The study of the role of the arms and limbs therefore deserves serious attention.