At the abdomen: The devil! Gourmandism! I am a wretched creature!
The same illustrations may be reproduced in the rising scale.
When the parietals are touched, the idea and the sentiment are very elevated. As the foci rise, they become more exalted.
Let this be considered from another point of view. We shall reproduce gratitude by touching all the centres.
They have been centres of attraction, we shall render them points of departure.
"I thank you!" The more elevated the movements, the more nobility there is in the expression of the sentiment. The exaltation is proportional to the section indicated.
The posterior region is very interesting. There are three sorts of vertebrae: cervical, dorsal and lumbar.
This apparatus may first be considered as a lever. But taking the vertical column alone, we shall have twenty-four special and distinct keys whose action and tonality will be entirely specific. From these twenty-four vertebrae proceed the nervous plexi, all aiding a particular expression; so that the vertebral column forms the keys of the sympathetic human instrument.
If the finger is cut, there is a special emotion in one place of the vertebral column.
If the finger is crushed by the blow of a hammer, the emotion will affect a special vertebra.