The Philosophy of the Plays of Shakspere Unfolded

by Delia Salter Bacon

What is that?—Mark it:—the farced TITLE!—A bold word, one would say, even with a king to authorise it.

'The farced TITLE running 'fore the king,
THE THRONE he sits on, nor the tide of POMP
That beats upon the high shore of this world,
No, not all these, thrice gorgeous CEREMONY,
Not all these laid in BED MAJESTICAL,
Can sleep so soundly as the wretched slave
Who, with a body filled, and vacant mind,
Gets him to rest crammed with distressful bread,
Never sees horrid night, the child of hell,
But like a lackey from the rise to set
Sweats in the eye of Phoebus; and all night
Sleeps in Elysium.

Yes, there we have him, at last. There he is exactly. That is the scientific picture of him, 'poor man,' as this poet calls him elsewhere. What malice could a philosophic poet bear him? That is the monarchy that men were 'sanctifying themselves with,' and 'turning up the white of the eye to,' then. That is the figure that it makes when it comes to be laid in its state-bed, upon the scientific table of review, not in the formal manner of 'the second part' of this philosophy, but in that other manner which the author of the Novum Organum, speaks of so frequently, as the one to be used in applying it to subjects of this nature. That is the anatomy of him, which 'our method of inquiry and investigation,' brings out without much trouble 'when we come to particulars.' 'Truly we were in good hands,' as the other one says, who finds it more convenient, for his part, to discourse on these points, from a distance.

That is the figure the usurping monarch's pretensions make at the first blush, in the collections from which 'the vintage' of the true sovereignty, and the scientific principles of governments are to be expressed, when the true monarchy, the legitimate, 'one only man power,' is the thing inquired for. This one goes to 'the negative' side apparently. A wretched fellow that cannot so much as 'sleep o' nights,' that lies there on the stage in the play of Henry the Fourth, in the sight of all the people, with THE CROWN on his very pillow, by way 'facilitating the demonstration,' pining for the 'Elysium' at his meanest subject,—that the poor slave, 'crammed with distressful bread,' commands; crying for the luxury that the wet seaboy, on his high and giddy couch enjoys;—and from whose note-book came that image, dashed with the ocean spray,—who saw that seaboy sleeping in that storm?

But, as for this KING, it is the king which the scientific history brings out; whereas, in the other sort of history that was in use then, lie is hardly distinguishable at all from those Mexican kings who undertook to keep the heavenly bodies in their places, and, at the same time, to cause all things to be borne by the earth which were requisite for the comfort and convenience of man; a peculiarity of those sovereigns, of which the Man on the Mountains, whose study is so well situated for observations of that sort, makes such a pleasant note.

But whatever other view we may take of it, this, it must be conceded, is a tolerably comprehensive exhibition, in the general, of the mere pageant of royalty, and a pretty free mode of handling it; but it is at the same time a privileged and entirely safe one. For the liberty of this great Prince to repeat to himself, in the course of a solitary stroll through his own camp at midnight, when nobody is supposed to be within hearing, certain philosophical conclusions which he was understood to have arrived at in the course of his own regal experience, could hardly be called in question. And as to that most extraordinary conversation in which, by means of his disguise on this occasion, he becomes a participator, if the Prince himself were too generous to avail himself of it to the harm of the speakers, it would ill become any one else to take exceptions at it.

And yet it is a conversation in which a party of common soldiers are permitted to 'speak their minds freely' for once, though 'the blank verse has to halt for it,' on questions which would be considered at present questions of 'gravity.' It is a dialogue in which these men are allowed to discuss one of the most important institutions of their time from an ethical point of view, in a tone as free as the president of a Peace Society could use to-day in discussing the same topic, intermingling their remarks with criticisms on the government, and personal allusions to the king himself, which would seem to be more in accordance with the manners of the nineteenth century, than with those of the Poet's time.

But then these wicked and treasonous grumblings being fortunately encountered on the spot, and corrected by the king himself in his own august person, would only serve for edification in the end; if, indeed, that appeal to the national pride which would conclude the matter, and the glory of that great day which was even then breaking in the East, should leave room for any reflections upon it. For it was none other than the field of Agincourt that was subjected to this philosophic inquiry. It was the lustre of that immortal victory which was to England then, what Waterloo and the victories of Nelson are now, that was thus chemically treated beforehand. Under the cover of that renowned triumph, it was, that these soldiers could venture to search so deeply the question of war in general; it was in the person of its imperial hero, that the statesman could venture to touch so boldly, an institution which gave to one man, by his own confession no better or wiser than his neighbours, the power to involve nations in such horrors.

But let us join the king in his stroll, and hear for ourselves, what it is that these soldiers are discussing, by the camp-fires of Agincourt;—what it is that this first voice from the ranks has to say for itself. The king has just encountered by the way a poetical sentinel, who, not satisfied with the watchword—'a friend,'— requests the disguised prince 'to discuss to him, and answer, whether he is an officer, or base, common, and popular,' when the king lights on this little group, and the discussion which Pistol had solicited, apparently on his own behalf, actually takes place, for the benefit of the Poet's audience, and the answer to these inquiries comes out in due order.

Court. Brother John Bates, is not that the morning which breaks yonder?