"And he made a molten sea, ten cubits from one brim to the other: it was round all about, and its height was five cubits: and a line of thirty cubits did compass it round about. And under the brim of it round about there were knobs compassing it.... It stood upon twelve oxen, three looking toward the north, and three looking toward west, and three looking toward the south, and three looking toward the east: and the sea was set above them, and all their hinder parts were inward. And it was an hand breadth thick, and the brim thereof was wrought like the brim of a cup, with flowers of lilies: it contained two thousand baths.... So Hiram made an end of doing all the work that he made King Solomon for the house of the Lord."[2]
The Phœnicians never developed an imposing architecture. Timber was abundant on the mountain slopes, and was the principal building material. The great lack of architectural ruins in the country today may be largely accounted for by its perishability. Stone was also available, and appears to have been used chiefly for foundations, which were laid deep and skillfully constructed. City walls were built of stone, and a few remnants of these may yet be found. Gigantic stones of prodigious size were piled one upon another and often held in place by their own tremendous weight. In places where the solid blocks were joined together, they were united so evenly that the blade of a knife may not now be placed in the seam.
Tyre and Sidon were both beautiful cities, as abundant evidence goes to testify. Carthage with her great structures of stone, became a quarry for Italy, but the Phœnicians were imitators and never developed a distinctive style of building.
Their sculpture survives only in tombs. A few of these have been recovered. Some of the figures adorning the interiors of tombs are said to possess richness and beauty. Their artists made use of huge blocks, and for this reason their carving was in low relief, or gave such appearance. The Greeks, on the other hand, found gigantic blocks unwieldy, and took smaller stones for their embellishment. Consequently the grace and delicacy of Greek sculpture was not reached in Phœnicia.
"It seems strange that these Canaanites or Phœnicians, the scorn of Israel, and the people against whom Joshua bent all his powers, should have enjoyed such an uncheckered career, making themselves sole navigators of every sea, and finally founding a city which stood unrivalled for more than 700 years. Through their hands ... passed grain, ivory, and skins from Libya; slaves from the Soudan, purple and cedar from Tyre, frankincense from Arabia, copper from Cyprus, iron from Elba, tin from Cornwall, wine from Greece, silver from Spain, and gold and precious stones from Malabar. As a nation of traders and navigators they established themselves on the coast, and wherever they settled, depots and factories of various kinds were erected. We do not find them in the interior of a country. Neither do we hear of alliances with the people with whom they came in contact, nor of their impressing barbarian tribes with any notions of the advantages of civilization. In the field of intellectual acquirements the Carthaginian, as the descendant of the Phœnician, has no place, and his skill in the gentler arts of life has no recognition. We find no native architecture, nor do we hear of any industrial art worth recording. Carthage, it is true, became the metropolis of their widespread kingdom, and one of the wealthiest cities of the world.... Temples and stately edifices adorned its streets, and the remains of great constructional works still attest the solid grandeur of the city. But the architecture was the work of Greek, not of Punic, artists; and the few sculptures of note, which may be assigned to a period anterior to the last Punic war, have nothing in common with the rude carvings which bear the impress of Carthaginian origin. On the other hand the art of navigation, the science of agriculture, the principles of trading, and a system of water supply combined with the construction of gigantic cisterns, which may still be seen at Carthage, and in the outskirts of many towns in North Africa, became Rome's heritage from Phœnicia."[3]
Literature and Learning.
Among the bequests of Phœnicia to mankind, first will always stand the giving of an alphabet to the world. It is true that other nations possessed a written language, but their symbols were generally so complicated and so numerous that they could hardly have become of general service. It was earlier assumed that the Phœnicians invented the alphabet which they spread among the nations around them, but now it is believed that they simply shortened and simplified symbols already in existence. Their alphabet was widely adopted, to be sure, not because it was most convenient, but because it was the only one known to many nations, who never came in direct contact with dwellers on the Nile or Mesopotamians.
In Phœnicia's palmy days literature and learning were neglected—at least so far as can now be ascertained. It is not unlikely that scholars lived sometimes in the larger cities, and schools were probably maintained to some extent, but at all events, no remains of a Phœnician literature has come down to us, and it has been commonly surmised that no extensive literature ever existed. The nation was bent upon its commercial life, and only such knowledge as would be essential to traders was regarded as necessary. In later times, in the last century before Christ and in the first century of the new era, literary activity was more marked. We are told that there was a school of philosophy at Sidon, and the city became a literary center, but this had little to do with the period of Phœnician ascendency which practically ended with Greek dominance.
Religion.
Somewhat more is known of the religion of Phœnicia, but here again we are not able to trace its development in any complete sense, and most that has been recorded concerning it was written by foreigners whose attitude was uniformly hostile.