In this case we have a single inversion of the motive and a repetition of the motive with its inversion. Compare this progression with the one in [Fig. 77], where the same motive is repeated without inversion.
Fig. 82
Here we have the same motive with a double inversion, the motive with its double inversion being repeated. The inversion gives us Shape-Harmony without Harmony of Attitudes. We have Harmony, however, in a repetition of the relation of two attitudes. These double inversions are more interesting from the point of view of Balance than of Harmony.
THE ORDER OF BALANCE
IN LINES
72. We have Balance in a line when one half of it is the single or double inversion of the other half; that is, when there is an equal opposition and consequent equilibrium of attractions in the line. When the axis of the inversion is vertical the balance is symmetrical.
Fig. 83
There is Balance in this line because half of it is the single inversion of the other half. The balance is symmetrical because the axis is vertical. The balance, although symmetrical, is not likely to be appreciated, however, because the eye is sure to move along a line upon which there is no better reason for not moving than is found in slight terminal contrasts. The eye is not held at the center when there is nothing to hold the eye on the center. Mark the center in any way and the eye will go to it at once. A mark or accent may be put at the center, or accents, corresponding and equal, may be put at equal distances from the center in opposite directions. The eye will then be held at the center by the force of equal and opposite attractions.
