A theory of pure design

by Denman Waldo Ross

Fig. 203

In this case, for example, we have the outlines drawn one inside of the other. The outlines have all the same shape, but different measures. It is a case of Shape-Harmony and Harmony of Attitudes, without Measure-Harmony, and without any Harmony of Intervals. This is a very interesting and important form of Design which has many applications.

Fig. 204

In this case, also, we have Shape-Harmony without Measure-Harmony. We have a Harmony of Attitudes and also of Intervals, the spaces between the outlines corresponding.

Fig. 205

Here we have the Harmony of an alternation of Attitudes repeated, with Shape-Harmony, without Measure-Harmony.

In all forms of design in which we have the concentric repetition of a certain outline we have, in connection with the feeling of a central balance, the feeling of a movement or movements toward the center. These movements are due to convergences. Movements carrying the eye away from the center, in opposite directions, interfere with the feeling of balance. The feeling is enhanced, however, when the movements converge and come together.