If then we have seized the matter aright, we have reached a shape in Fairyland, which represents what is hostile, actively hostile, to the Greek institutional world, State, Family, Society. Ulysses stands in a double relation to the present condition of things. The Cyclops is really a picture of him in his negative character, a product of his destructive Trojan spirit, yet he is just the man who must put down the Cyclops, he must master his own negation or perish. Ulysses sees the natural man, or rather, he sees himself with all culture taken away, with all institutional life eliminated from his existence.
He may well be frightened at the monster, who is very real, though a dweller in Fairyland. Nor should we forget that the Cyclops also undergoes a change, he too is in the process and shows something like development under the severe tuition of Ulysses.
As already said, the present portion is altogether the longest in the Book, it is essentially the entire Book. The other two portions were hardly more than a short introduction and a brief transitional stage; now comes the full and highly elaborated tale, in which both the land and its inhabitants are fabulous, supernatural. There are two distinct divisions treating of the Cyclops: the first describes their race in general, the second gives a description of the particular grand Cyclops, Polyphemus, in his conflict with Ulysses.
I. This time there is no tempest, such as arose after leaving the Ciconians, in order to reach the land of the Cyclops; that collapse of the will seems to have pictured itself in the quiet deep. But who are the Cyclops? A race "without law, addicted to violent deeds;" they have no agriculture, "they plant not, neither do they plow;" they get their products, "trusting to the Gods," that is, trusting to nature, since the Cyclops have small regard for the higher Gods, as we shall soon see. Another mere formula this, showing that the Homeric deity was getting crystallized even for Homer. "They hold no councils" in common, are not associated together, but "they dwell in vaulted caves on mountain heights," such as the famous Corycian cavern which is near the top of a mountain on Parnassus. There "each man rules his wives and children," evidently a herding polygamous condition of the family; "nor do they (the Cyclops) care for one another." Still further, "they have no ships with crimson prows," no navigation, no commerce which seeks "the cities of men" and binds them together in the bond of society and humanity. Yet there is an excellent harbor and a good soil, "with copious showers from Zeus;" nature has surely done her part, and is calling loudly for the enterprising colonist to come and plant here his civilized order. This passage must have stirred the Greek emigrant to leave his stony Hellas and seek in the West, a new home; it suggests the great Hellenic movement for the colonization of Italy and Sicily from the 6th to the 9th century B.C. The poet has plainly been with the frontiersman, and seen the latter's giants.
The main thing to be noticed in the present account is the extraordinary number of negatives. No laws, no assemblies, no association; no plows, no ships, no intercourse with other cities; the whole civilized life of man is negated, and man himself is thrown back into a state of nature. It is worth while to search for the purpose of this negative procedure on the part of the poet. He might have given a positive description of nature, telling what it is, and telling what the Cyclops is, not emphasizing so much what he is not. But thus the meaning would not come out so plainly; the Cyclops is just the negation of the whole civilized world of Greece, which fact must be expressly imaged in the very words used in the poem. He is not so much a simple being of nature as a being antithetic to society.
At this point we can trace his connection with the great Trojan experience, which, as already set forth, has begotten a negative tendency in its participators. The war at Troy, like all war long-continued, has bred men to be anti-social; they have to destroy State, Family, Commerce, Agriculture, till destruction becomes habit, yea principle, and takes possession of their intellect. The Cyclops was generated at Ilium, and is a colossal phantasm of the spirit which prompted the attack on the Ciconians.
It should be stated here that the Cyclops of Homer are different from those of Hesiod and of other mythographers, inasmuch as the latter were represented as the demons who forged the thunderbolts of Zeus, and were connected with the volcanic agencies chiefly in Sicily and Italy. Mount Ætna belching forth its lava streams may have suggested to the Greek imagination the sick giant Polyphemus in its caverns, drunk on the red destructive wine of Ulysses.
First is a small island, "stretching outside the harbor" of the land of the Cyclops, woody, full of wild goats; there the ships of Ulysses drew to the shore. It was bare of human dwellers, the Cyclops had no boats to reach it; a good place for stopping, therefore, quite out of reach of the savages. Nor is the fountain forgotten, "sparkling water flowing from a hollow rock down to the harbor"—an adjunct still necessary to every Greek village or encampment. "Some God led us through the dark night" without our seeing the island till the boats struck it—surely a providential intervention on our behalf.
Leaving behind the other ships at this point, Ulysses takes only his own and its crew, and goes forth to "test these people, whether just or unjust, hospitable or godless." He cannot rest in ignorance, he must have the experience and know the unknown. He soon sees "a cave high up the mountain, not far from the sea, overarched with laurel shrubs;" he observes also "an enclosure, made of stones set in the earth;" these stones are not hewn (as some translators say), since the so-called Cyclopean walls so common in Greece were not built by this kind of Cyclops. In the enclosure were resting "many herds of sheep and goats"—just such a scene as can be witnessed in the rural parts of Greece to-day. This is the environment of "the man-monster," who is now to be the theme of song.
II. Polyphemus is a Cyclops but he has characteristics of his own. He has no family in his cave, he lives wholly for himself apparently; he seems to be the largest of his race, "like no man who lives by bread;" he towers alone "like the peak of a high mountain shaggy with woods;" apart from others "he plans his unjust deeds." A portentous shape with but a single eye in his head, a cave-dweller similar to the primitive man; he has too an evil disposition in his huge bulk.